#226

Sounds ok to me, but i am not “gold ear” and don’t know what I might be missing. But doesn’t sound distorted or anything, or flaky contact.

#227

Then I think you’re good! I’m always on the lookout at thrift stores and such for these cables. Usually can pick up a few for $1.

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#228

There are no fancy mini cables so you’re all set. As long as it isn’t crackly then nothing to worry about.

Be gentle with it, try to keep the original wind/fold, don’t jerk the ends too much.

If it gets crackly replace it. :slight_smile:

One thing for better sound is to run your source (the OP-Z) as loud as you possibly can and then turn down at the Norns. But even worrying about that is probably overkill.

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#229

Got it, thank you @corpusjonsey and @Gahlord I’ll keep this noodle. Moving on :control_knobs:

PS. I’m using USB audio with OP-Z which has pretty good signal I think (plus leaves the norns input free for this other stuff)

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#230

For USB cable it absolutely doesn’t matter.

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#231

One thing to watch out for is noise and ground loops in your signal. This is something a DI box can also help with with the “ground lift” button. I have 8 channels worth of DI and frequently use them all. You can almost not have enough of them.

What I want to know is: what the “proper” method of converting unbalanced to balanced

There is nothing wrong with connecting balanced ports with unbalanced cables. It simple puts the cold(inverted) signal to ground and you miss out on the noise cancelling properties of balanced signals. It’s important to note that the quality of the cable you use matters more for unbalanced signals. Specifically the shielding of the cable is what matters more. The shorter the cable the less the quality matters, but pay attention to if you put it right on top of a power supply or power cables.

Now if you want to pass your modular through line level gear. As others have stated modular levels are too hot for most line level gear. Converting from modular level to line level is what most “output/interface” modules do and most of them output a balanced signal. I don’t think putting modular levels directly into line level gear will damage anything, but it definitely won’t help anything having so little headroom. I’m sure if a piece of equipment is crappy enough a signal that’s too hot could blow it out, so it’s best to avoid altogether if you can.

1 Like
The 500 Series Thread
#232

I’m pretty happy with my signal chain for most instruments, but when it comes to my vocals it seems there’s always something to be desired. Weekly vocal lessons haven’t hurt. Neither has my recent acquisition of Gullfoss, although that’s for later in the mix.

Chain:
SM7B or Røde NT2a -> neve-style pre -> Klark KT-2A -> Focusrite Clarett

Piece by piece I don’t think it’s the gear but my ability holding me back. But I’m wondering if I would benefit from adding a Pultec-clone EQ? I suppose a better condenser is an option. But I’ve been reluctant to record with condensers for sibilance and them picking up too much of the room. Although treated and with a bass-trapped vocal corner my studio is still a small room.

Any ideas on what a Pultec-clone could give me? I figure, since this is all learning by doing I will never really know the benefits of a hardware EQ until I get one and start experimenting, right? Thanks!

#233

wanted to circle back on this with a discovery I made today. i was getting a ground loop on a balanced cable from my DSI Prophet 08 Rev 2. Tried an unbalanced cable and the loop went away which perplexed me. Checked the manual on the synth, unbalanced outputs…

I wouldnt think that connecting balanced cables to unbalanced ports would cause a problem but i guess they can.

#234

AFAIK there are very few synths with balanced outputs (although I think my old A4K may have had them), and it’s nearly always better to use unbalanced cables. On some synths using balanced cables with its unbalanced outs will result in a severe volume drop due to out of phase signals. This came up recently with people trying to use balanced cables with their Super 6’s.

2 Likes
#235

Oh I thought most keyboard gear was balanced. The prophet 08 is the only synth I have that’s unbalanced. The rest are balanced. I could see older synths being unbalanced too. Good to know unbalanced synths is probably more common than I assumed.

I still don’t understand why the loop though. You wouldn’t think that the ring would still be common to ground same as plugging in unbalanced cable to balanced in/out. In my case I was even still going into a xfmr DI box which I thought would surely isolate the loop but nope.

If you plug unbalanced output -> balanced cable -> balanced input, I could see phase issues arising from that setup depending on the input balancing circuit. There could be a difference between cold and ground that the input would cancel.

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#236

Yeah, I am not sure of the numbers but in 30 years of owning probably around 30 synths, the only balanced one I’ve owned is the A4K. I wish it was more common. I think the Wavestation A/D rack maybe had balanced outs back in the day too, but I only had the keyboard EX version.

Anyway, hope you get the ground loop hum sorted!

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#237

I actually just went through this same thing concerning my old Teac reel to reel. It’s unbalanced RCA ins and outs and I have it connected to my balanced patchbay. I mostly send audio from Ableton to and from it. I found that it was distorting on the way in and needed a lot of gain on the way out. So my results were often distorted and noisy. I bought the ART Cleanbox Pro to deal with this. Now I have Balanced TRS out of my patchbay going into the XLR inputs of the Cleanbox. Then the unbalanced RCA’s from the Cleanbox to the RCA inputs of the Reel to Reel. Totally solved my problems. Got it for just 40 bucks on eBay too!

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#238

I also have a Rev2 and didnt even realize it was unbalanced outs. I have it connected to my balanced patchbay using balanced TRS cables and everything seems perfectly fine.

#239

Well that is the frustration of ground loops. They are actually very complicated and highly dependent on the electrical environment of your studio.

If you are ever down for some light reading: https://web.mit.edu/jhawk/tmp/p/EST016_Ground_Loops_handout.pdf

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#240

Me after an evening of looking for ground loop when I just wants-ta jam.

image

But in all seriousness, I have a noise problem that comes and goes. I suspect it is the heating element in my dishwasher. But when that noise is present, recording is just off the table.

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#241

How do you guys deal with low signal like sounds from kalimba? Today I tried mic with it by using Rode NT4 and Mixpre-6. My Mixpre set to 38dB gain, but it the volume didn’t get to -20dB even I put my kalimba close.

#242

Here’s something huge I learned recently. I process external audio through my modular all of the time and I’ve always struggled with getting proper gain staging. I have some Ladik modules for sending line level audio in and out of the modular. I also have a send/return for guitar pedals. I would frequently have distortion and noise problems so I emailed Ladik and this is what they had to say:

“Eurorack standards defines quite low headroom, “normal” level is ±5V(peak-peak) and power supply allows max. level around ±10V, this is only 6dB headroom.
So if your sound source is not quite perfectly steady (say within 3dB) it will be tough to establish a reasonable level with any of pre-amplifiers…”

I’m not really sure I full understand how the power effects the headroom but the fact that Eurorack does have very little headroom explains a lot of my gain staging issues.

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#243

Have you tried any other mics? Are you sure you have the mixpre channel set to mic and not line level? I don’t have any issues recording my kalimba with a dynamic mic, so the signal should be hot enough with a stereo condenser.

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#244

My latest personal insights:

  1. audio converter from same year&price dont differ too much in terms of sound. I have made a blind test with bbface/axe2/er301 and sent samples to my friends. No difference except some noise that 301 gets being patched from different case.
    Some $$$-interface with transformers can add some difference but I can do it myself with rack/500 gear before interfaces. To be honest I thought that different will be bigger for my ears.

  2. unwanted noise is evil. From some bad designed euro modules, ground loop. Even if s/n is big, noise is very unwanted in pauses between sound. This noise is very hard to transparently remove even with pro-plugins like RX and need a time. Try to fix most of the causes of noise.

Think again about switching from portable euro case to 1 big studio case with linear psus.

#245

Yes, this sounds maybe weird. With highly dynamic percussion sources like kalimba or shakers, around 30-40dB of gain would be perfect to achieve a good digital level without clipping. But it will totally depend on the sensitivity of the mics. KM84s into TG2 pre here.

1 Like