Here’s a patch I put together for a ping pong delay / reverb.
Set both decks to delay mode.
Mult your dry signal so it can be mixed into the wet afterward, and send a copy to the Lubadh’s auxiliary input. In the example I have the crossfader set to run the signal through the left deck first.
While you can use the default signal path to handle the feedback on this, I patch mine through external attenuators because I don’t like working with the minipots for controlling feedback, especially once patch cables are getting in the way. So, I patch each deck’s output to the left and right inputs of my output mixer, and mult each through an attenuator and into the opposite deck’s input. This also makes it possible to have individual control over the initial delay level and the feedback level.
Longer delay times will give you a ping pong delay, and shorter delay times with more feedback will create surprisingly nice reverbs. Combining one side’s shorter, diffusion network delay with the other’s longer single tap delay creates larger sounding reverbs.
In the example, the first audio that plays is a long ping pong delay. at around 50 seconds, both channels are set to short diffusion networks to create a reverb, and at 1:30 the left is set to diffusion network while the right is set to longer delays.
