track made in supercollider
using iphone recordings of ocean waves, and backyard percussions
based on code from eli fieldsteel https://www.youtube.com/watch?v=nB_bVJ1c1Rg
i didn’t even know this thread existed as the title confused me but i am so glad this is here and hopefully i can contribute in some way!
\degree, Prand([-8, -2, -6, -12, -2, -3, -1, -12, -1, -8, -12, -3], inf),
\dur, Pseq([0.2, 0.1, 3, 1, 6, 0.6], inf),
\amp, Pseq([0.4, 0.3, 0.1, 0.2, 0.1, 0.2, 0.3, 0.5], inf),
\legato, Pseq([0.4, 1.1, 1.3, 0.2, 1.5, 0.8], inf),
//and then the Teufelsberg Reverb
totally dig what you did with this!
like we’re out in space
going through a different star system…:beautiful
(¿the nils effect re1)
Thanks! Amazing what 15 minutes and an iPhone can get you.
(Just rolled with the AudioShare naming convention, which tacked the names of the apps onto the file name.)
thank you, this is the dream…
experimenting a bit with bela today
took their delay example, stitched in the FSR input from the tremelo example, and used it to modify the delay time and feedback… “careless” unsmoothed parameter changes, and delay line manipulation, but a quite playable noise effect
the development of idea
here are some live mixes of your sounds.
i used the cello tracks and pump organ from:
sample5 included in Automatonism
- Barrels (on tracks 4 5 6)?
" Abolish the frontier between the unfinished and the finished " -Pierre Boulez traduction libre
no edits /
Did you take it down?
inspired by @laborcamp’s sound and process https://m.soundcloud.com/sound-and-process/lc_sp
where he talks about his derelict web art
turning into an online survivor space
//meditating on… 'acceptance
iPhone vox, pspOldTimer, E27, EMT2445