did that the other day. not sure how i feel about it.
that’s a direction i’d like to explore in a future release.

involves crumpled tape loop, mixer, modular system, piano, Pacific coastal forest.

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Full Mannequins voice plus uBurst…

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Hi all,
I just dicovered lines and I like so much the idea!
my name is Claudio and I come from Sardinia (an island in the middle of Mediterranean sea).
I play music since 2003 and now I’m making my own videos and short film and finally I entered the modular world.
I build my first rack based me on Make Noise System Cartesian and here you can find a track based on a krell path played in conjuction with arturia microbrute and VCV rack. hope you will like.
thanks so much for being a great community!

Dark Ancient Krell Music

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More experiments with marbles → plonk → rings

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What a beautiful place. The camera jitter really made me feel like I was there too. Thanks for sharing this.

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Newly uploaded to my Bandcamp Page: “Aabccekkmr (for modular synthesizer and two dancers),” my live collaboration with Amanda Maraist and Kara Brody, as captured by @dan_derks at High Concept Labs on 28 April 2018.

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New album from my cousin Lailah
https://youngheavysouls.bandcamp.com/album/rose

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One of the first tunes I made upon acquiring the Synthstrom Deluge and Micromonsta. All sounds exclusively from both.

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modular jam and liquid light show

Special thanks to the Visual by Justin Howard.
About the project: Music for Aquariums is a new Album I am working on that will go off the grid and feature sounds that you might here on your journey to the depths of the ocean floor and back.

About The song: I have been working on some music for aquariums. This one goes on after hours when the sea creatures that emit light come out. Usually only the janitor is their but they are wearing headphones and preoccupied to see the sea creatures that emit light.

About the creation: a handful of oscillators with 3 looping AD Envelopes modulating each other along with some live tweeting created the “rhythm” The slowest AD envelop was clocking the sequencer. Live tweeted a couple filters. Ran it threw a couple of reverbs and delays. Put a phaser in there somewhere. Used some lowpass gates for the VCA. I then gave the song to a friend and they did a liquid light show for the visuals and it is basically a short visual film.

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first explorations of morphagene (thanks @myecholalia) + volca fm.

batumi seems to be a perfect friend for modulation (some self-patching in there too for a little unpredictability) and running into clouds afterwards provides almost endless variations, even with very simple source material.

also experimenting with contact mic amplifying small objects (stones, paperclips, etc.).

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Finally had time to focus on music this weekend, and recorded this sketch today. Some field recordings from the basement processed with grid/MLR, old bits of cassette and Just Friends.

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The good folk at Osclltr Records in Berlin just put out this EP with four of my single-take, live eurorack improvisations.
/∇\

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Today I released the first in 12 monthly synthesis pieces. Drone/noise. All live takes, with minimal post-production.

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on good days, things self-assemble from the aether…

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Really enjoyed this. Super nice movement!

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sequence is generated by a korg SQ-1, sequencing a mutable instruments braids in pluck mode. quantized internally by ‘bees in the trees’ firmware. output through mannequins three sisters. the first ~35 seconds are the patch by itself, then i stack a few layers of the patch for something a bit denser.

several channels of random from pamela’s new workout are running in time with the sequence at various divisions of the clock. random outputs are running through cold mac to:

  • braids FM
  • braids timbre [decay]
  • braids color [hard-to-describe sound quality]
  • 3 sisters FM
  • 3 sisters span
  • cold mac survey (self-patched)

manually manipulating 3 sisters span and frequency for harmonic control and cold mac survey for modulating the modulators. mod controls on braids are just barely in the positive to keep things under control.

photo is an accidental thing that happened on 35mm several years ago.

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this is wonderful! is this multiple takes stacked? delayed? outs simply panned? ~0:50 there’s that lovely counterpoint spread that kicks in and I’m in love with it.

thanks so much!! yes it ends up being three tracks stacked: the main track right down the middle, one track panned a bit right, one panned a bit left. the left and right tracks fade in and out every 6-8 bars.

more sketching for the film I’m scoring

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