Thanks a lot. Much appreciated.

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Thanks for the response; makes sense! I’ve been taking a similar loop-based approach with the Digitakt with good results so far. Just wish the individual recording time was longer…

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New modular piece, a sea of modulating drones held together by physically modeled melodic percussion. Drones created through layered harmonic arpeggios made by modulating multipliers, formants, and phase/rhythm related cascading oscillations, and run through filters, delay and reverb.

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This is the last of a collection of recordings from live set rehearsals focused on looping Plaits w/ W/. This one features Mangrove heavily too. Its just one sequence with both CV and audio being recycled.

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Such a lovely melody! Very cinematic. Love the high pitched sprinkles that emerges around 3.40. That’s w/?

here’s the first thing I recorded with Norns. It took some time for me to find a place for it in my setup but now I feel comfortable using it for a multitude of purposes. Probably also dropping this one on vinyl some time later this year. :zipper_mouth_face:

in this one it’s providing layers of pads from Earthsea.

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I just recorded this un-cutted jam, where I used Marbles as an arpeggiator controlling Just Friends in plume mode. I’m also using Plaits, Streams, Stages, Clouds… You’ll get more detailed patch note on Soundcloud.

I’m trying to improve my live skills. I felt quite busy when I was performing this little tune, but maybe I’m more overwhelmed than prolific.

Any critics / advises from fellow performer are welcome!

Another tune with Plaits and Mangrove:

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It is. Its the original sequence with some punch ins played backwards at double time. It was actually a mistake in the recording. If I had two w/ it would have been used more extensively but i needed the normal time version for the following section

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two sine oscillators phase modulating each other.
a quadrature lfo (o_C’s Quadraturia) exponentially modulating f of both oscillators with inverted phase, and amplitude of both oscillators again with inverted phase (amp mod is 45° out of phase vs phase mod for each oscillator)
some extra low pass filtering, delay and reverb.
all done inside the orthogonal devices er-301 with just a touch of reverb from oliverb.
inspired by reading stephen hawking.

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Posted this in the Marbles thread as well, but here’s my latest:

MI (Marbles, Plaits, Rings, Clouds) stuff features heavily. Marbles is fast becoming my favorite module (it’s certainly the most fun) :heart:

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New sounds- Heavily influenced by Riley, Reich and Glass. Ears appreciated. Thanks!

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Did you record the audio with the mic lying in front of your monitors? Sound quality could be better as you don’t get a good sense of the dynamic range, but I’m loving the piece itself–really interesting.

First time I have recorded anything to my daw or anything over 1 minute longs in far far too long. Hope you dig.

Here is four bricks rook triggering from left to right
Just friends///twin waves and plaits///magneto reverse//magneto shift mode.

Also before anything hits the magneto I have it going to the nebulae in the secondary record mode.

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Perfect!! Love the Riley/Reich-vibes in this one. It’s so engaging to try to keep track of different patterns and motifs as they move along and evolve. Very, very good!

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Wow. This is great! I need 20 characters but all I really wanted to say was Wow.

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Thank you. That’s very much appreciated!

Many, many thanks. 20 characters

I put out some synthwave (?) stuff on a side-project; if you’re running a game of Shadowrun in your basement (because where else?) I think it might be an all right soundtrack. It’s pretty fun to try stuff that isn’t mostly ambient.

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Some of my live set, last night in SF:

2nd time performing solo. All live improv’d. Could have progressed a bit faster I think… but overall I’m pleased.

This was also the first time performing with SuperCollider on the RaspberryPi + Pisound, doing all effects and recording the set! It ran flawlessly!

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er-301. looper sharing buffer with a granular sampler. glitchy soundscapes.

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