Orca Livecoding + SuperCollider rehearsal.

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This was made of 5 “snapshots” of a patch run through Morphagene in TLA (and, in the case of #5, W/ as well). Whatever remained in the Morphagene’s reel on system boot was manipulated with Batumi (primarily, though not exclusively).

The source patch is not included in this recording. It is far less “dark” than what is featured here.

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Very cool! Really like the sound of the TR-09.

Played a short live set in Paradiso, Amsterdam last weekend.

Soundcloud audio: https://soundcloud.com/oneven/live-at-vca-paradiso-amsterdam-13012019

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tr-09 w/trigger out to 0-coast (no quantisation)

edit: not brand new

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Kudos. Very nicely done. What was the expression controller on the left side of your rig?

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Thank you. Actually it’s just a Volca FM. I get nervous playing live and moving my finger helps me get into the music. Also helps keeps my finger in place with such a tiny keys.

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Yeah, nice, gradual progression to that set, re: Oneven’s recording. It’s a pleasant zone. I imagine you could pick up gigs fairly easily w/this level of engaging modular performance. Do you play out often?

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Thanks. Nervous you might be but it doesn’t come across in the performance. As @misc_frank says, loved the progression and build through the set.

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Thanks guys! Really appreciate it. I prepared the sequences a day before to keep it fresh for myself. After that I just did some levelling on my mixer to get the sounds to fit nice. It helped that all audio was going through a nice digital SSL console running native plugins. I had the sound guy put the SSL G master compressor on it all to level out peaks.

@misc_frank I try too, but it’s all depending on the bookings. This video will hopefully help get me more.

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thanks for dropping in @neauoire, I think you’d like it around here

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Thanks @andrew!
This place is great :slight_smile:

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Posted a picture of this patch a week ago, needed to take it apart to shuffle studios, so I made a quick recording. 4 voice modular, controlled by a machinedrum, routed through an octatrack.

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hi kittens. did a cover of that sad ass lana del rey song I mentioned at the sound + process discussion. It’s a voice memo with valhalla vintage verb on it. So not a lot of electronic elements. And my dad on the trombone.

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Experimenting with a kind of audio x visual rig.

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SJF // DERIVE Tokyo

One part of the DERIVE Soundscapes series, a collection of tracks that muses on the sounds of the city and what it means for a city to have a sound. Inspired by the photography of New Zealand photographer Cody Ellingham.

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this is some next level beautiful sound here. Teetering on the edge of chaos and noise. Well done!

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Thank you for the great comments! That’s quite an encouragement.

For anyone who want’s to explore 208 preset card soldering for self-generative timbers, I highly recommend Todd Barton’s tutorial on cross soldering between slider and switch sections : http://toddbarton.com/2014/04/7-easel-expedition-ii-modulation-modes/

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