noticed there are some chelsea wolfe fans on here, so:

i’ve been doing strings for CW for several years now (since 2012 or so?)

did really quite a lot of overdubs for new album, which now has a single

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I’m a big fan of CW. That’s very cool and I just realised as I am typing this who you are :D. No Mention was on my albums of the year list when you released it :+1:

My liveset for Connessioni 2019 - a modular journey.
here i explored the techniques of orchestration of multiple monophonic voices in the modular synth context while trying to maintain a dramatic arc,a narrative plane throughout the performance. some minor level and interference issues on my side at the beginning but overall i’m quite happy about how it came out!

Some highlights from a live set I played at the weekend, first time I’ve played a more dancey set. Was at a night my friends organised in a slightly eccentric cricket pavillion. Got some great feedback which was really encouraging. Sadly was a bit too early to get lots of folk dancing, not lubricated enough yet :smiley:

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out since last week… a cinematic thing…

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Storm Season is here on the East Coast. Though this track reminds me more of the storms in Indiana, where you can watch them miles out across the horizon and only hear the dimmest, stretched out echos of thunder.

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One of 3 remixes I recently released

Full single available at: https://artist.landr.com/music/628810479214

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did a remix for the songlines remix competition - the original recording is a gender wayang gamelan performance recorded by david attenborough in 1956. i didn’t realize the competition is only open to UK artists but it was a fun experiment and something i want to explore further later.

the idea was to preserve and use the original field recording and its timing as much as possible. i used frap tools fumana to generate triggers from it which were used to clock orca (the alt firmware for white whale) through teletype for debouncing, orca sequencing four voices. several takes recorded and combined. the final track was recorded to a cassette - to complete the circle, so to say.

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exploratory patching

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the spc thread has me really thinking about why use what i use
tracks made while mulling the question


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Hey good people, I released the debut EP for my new solo project ‘Leash’ today. This comes after nearly a decade of almost exclusively collaborating in band/performance contexts, so it’s a bit of a long time coming that I put something out that is definitively my voice. Further, the project was primarily created as a way to begin making again after the painful dissolution of my longtime band, so it’s personal on a lot of levels. Consequently there’s anger, confusion, dread, but ultimately hope and catharsis. Thanks for listening.

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Night Sweats. Track 2 from my forthcoming album Guesswork.

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Most evocative, thank you.

The video for “the castle”, the first track from my debut album “a better place” is here:

The album is available to stream and download at bandcamp (j bowman).

I posted details regarding the recording of the album to the SOMA Lyra 8 thread (SOMA Labs Lyra 8), as that was the instrument used to make the album.

Thanks for listening!

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Lo-fi noisy techno jam with PO-24 and bit crusher/ octave/fuzz/ring modulator/ drive pedal:

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I made a dark dubby sort of swampy thing with field recordings for the recent Dark Outside Broadcast in Epping Forest, near London. Very proud of this track as it features some of the first outdoor sound recording I did in 2011.

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Weavings is the second track of my new album ‘Lure’. The core of the tune are the two Elektron Digitakts and a Digitone. They are accompanied by a eurorack modular system and a Ciat Lonbarde Cocoquantus. Everything is sent through OTO Bim & Bam and then directly into the Revox B77 1/4" tape recorder.

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Hi everyone! I am happy to share my most recent music with you - Sustain.

A few word about this:
These pieces have been done exclusively while travelling (in trains, planes, hotel rooms) with very limited setup. For each of them I only had my laptop and a pair of headphones. On the software side, it’s only ableton + some maxmsp - no plugins.

Thanks for listening!

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an effort to share more unfinished work, made while a thunderstorm passed by…

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