live jam edited down to 8 minutes. a whole lot of MLR cutting up guitars, lo fi 303/404/555 sampling and aalto.

https://soundcloud.com/und-leise/bird-pattern-live-improvised-electronics-w-wolf-langis

2 Likes

Recorded a wonderful cellist, Nora Krahl playing to an installation piece I’m working on. Then, messed with her various passes and made something more playful:

2 Likes

live performance. semigenerative ambient. cascading tones and textures. reworking material from a song on my upcoming album. first use of er-301, mixology, and second ansible. grid + arc, meadowphysics + cycles. patch notes on the video page.

13 Likes

aleatoric piano peice using the er-301 custom unti found here, kria, cycles & a make noise function.

7 Likes

2 ansibles, one running kria in meta mode and one running meadowphysics to provide audio

Continuing my series of Monday experiments:

This one playing with Rollz5, Cocolase, and Erbe-Verb.

1 Like

More experiments with the Rollz5. I think I like this one.

2 Likes

https://soundcloud.com/rdfm/head-tailed-cat?in=rdfm/sets/head-tailed-cat

4 Likes

This is a super cool patch! Would love to hear the patch details

Beautiful tracks/video’s.

2 Likes

loving disastrous piece on the rings

https://www.instagram.com/p/BUyUgRNg5rU/

Brand new patch re-using meadowphysics after long time.

2 Likes

Some live sampling with Block Party. All sounds come from a cello through IRCAM plugins.

https://soundcloud.com/mistiandreas/arvo-iii

1 Like

First run with newly-acquired Eloquencer sequencer:

3 Likes

Grotto just released a single from their forthcoming album. It’s been 3 years in the works with samples, electronic and acoustic instruments and field recordings (among other things).

i’ve been obsessed with thru-zero lately. today i patched those sounds into the 301 for some granular processing and dialed in earthsea shape memories to modulate 3 sisters in formant mode and offset the thru-zero modulating oscillator for quick timbral recall.

8 Likes

Beautiful. Really nice mellow sounds and the visuals are cool, too. :evergreen_tree:

For live looping in Octatrack, are you using Pick Up machines or Flex machines? I’ve tried using Pick ups and it never works too well. I’ve had much more success with sampling in a Flex Machine, then sequencing it in progressive patterns, but that could just be me.

1 Like

Really nice, man! Are you just using Arc to sequence all 3 of these Mothers? It looks like you are playing at least one of them with the keyboard… :movie_camera::crystal_ball:

The ARC is manipulating the Intellijel uSCALE who in turn controls two Mother 32s. I then play the lead using the Arturia Keystep on the third Mother 32.

1 Like

Thanks for spending your time with my music, glad you liked it.

I use the pickup machines – when I follow a strict ritual, I can get them to do what I want. What I want is to do recordings longer than 64 steps, and then do overdubs on these recordings. Can’t do that in a single Flex machine. The pickups sometimes played tricks on me, even live, when I had to read the dreaded “Dub aborted” (nice album title BTW) message, but if I stick to certain rules like no tempo changes, reset all pitch changes before overdubbing (check scenes!) etc., I get along with them.

I sent so many enhancement requests and bug reports on the pickups to Elektron that I lost count of it, but even in their current state (which is unlikely to change, as Elektron obviously is doing other things like AH, DT and Overbridge)…having them is so much more useful than not having them. :smiley:

1 Like