this is great! I appreciate that in this short, almost Instagram friendly piece, you have a beginning and an end. minor point maybe but important to me for some reason. i try to do this myself with limited success. . .

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Thanks @David_Rothbaum! That is very humbling feedback. I did go through a shit ton of 12 minute versions, to be fair.

I just received a Teletype and it’s exactly how I have wanted to work with a modular. It is an incredible compositional tool, the way it engages so many mental and emotional processes. Ugh. Love it.

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Well, I find it to be a rather significant challenge with the modular as it is so easy to lose yourself in it. Doing something succinct on the modular is in my opinion, a very desirable thing. And yeah, the teletype is brilliant.

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Cross posting from Cassette Releases thread. My new album is out today, hope you enjoy it!

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Recently I made a video about using chance and randomness when making music, centred around Qu-Bit Electronix’s new Chance module – really digging what it’s brought to my setup so far!

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A little cross post of my own-- you can get this on cassette, or just the digital version!

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re:mix has become a bigger part of my live set these days (big ups to @elquinto). I’ve done some light hacking to its Max internals so that I can change re:mix presets when changing scenes in Ableton. Maybe worth considering for the main branch?

Here’s a track I performed this last weekend: https://vimeo.com/225021950

Full audio from the set is up here: https://soundcloud.com/o8o8o8/live-at-fette-music-hall-7817

Enjoy!

I made myself a little “multiple exposure” type vid using an open source video mixing app called GLMixer.

This tune started out as a Disquiet Junto contribution a couple of years ago. It’s going to be on my 5th album, out next week.

here’s a few minutes from a recent live duo performance with vocalist theo bleckmann.

i’m on fender rhodes with modular processing and cassette loops, theo on voice and electronics.

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2x Ansible, Arc, Grid. Making some 80s guitar sounds.

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Two years ago I started to aimlessly make tunes on an iPhone app called Nanoloop. It was mainly an activity for the moments in life when you need a distraction, and a more creative alternative to just checking facebook or playing games. A lot of the material that resulted was hence more on the silly side, plus Nanoloop tends to channel you into making more 4/4 beat-oriented stuff. I think I also used this as a way to counterbalance my more noise/impro related musical projects.
Later I started to record these little sketches to the DAW and rearranged them a bit.
I did release a first small EP with the more cheerful/dancy/pop ones, and am now in the process of releasing the more experimental ones, where I tried to actively go against what the app was trying to make me do. The amazing Akirasrebirth made a cool oscillographics video for one of the tracks, which I post here as a little teaser (which ironically is the most 4/4 one of the bunch).

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NACHTANGST & HEALTHY SIDE EFFECTS
~ ~ ~ 7,50€ Each ~ ~ ~
° ° ° 10,00€ Both ° ° °
–(Shipping Included)–
Get In Touch If You’re Interested

Or Just Have A Listen, Haha
https://seagrave.bandcamp.com/album/nachtangst
https://wtfisswag.bandcamp.com/album/healthy-side-effects

Have A Good Sunday, Y’all :slight_smile:

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Made with RAINMAKER - GMØ - PICO VOICE - OPTOMIX - FUNCTION - MATHS - WOGGLEBUG - R1GSLEW - LADIK REVERB - TIMO CEM VCO - PENTA - PRIZMA - DLFO - O_C - COMPARE2 - MIX3 - 2HP BRST

http://youtu.be/4R9luXnRuWI

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has “timelessness” effect or time is very present and can be felt…great video for the track too.

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In corridors of dream where I finally tell you my name

https://youtu.be/aCmUJ-QKNZU

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Ketamine rhythms from a transient dream

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This gives me that feeling of presence or an approaching entity…or an entity approaching where you are…very sci fi ala Gibson.

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Last TT composition on 1.4 – so excited to see how 2.0’s P.N ops and sub commands will continue to evolve this code (posted in vid description). Delayed M-synced triggers and a manual trigger from Walk into Just Friends Plume. Randomized slow slew voltages feeding Optomix, which is damming Dixie II+. Shades keeps a Plume trigger open for sustaining notes.

Originally written in TidalCycles, which is a very fun way to brainstorm TT code when away from the rig.

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