First track made with a Digitakt;
All samples comes from a cassette tape by an Italian band from the 80s.
Multitracked into Ableton and recorded hot into my Marantz CP430 (3 heads cassette recorder) with its limiter engaged for a lofi compression feel.

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Video from my live performance last Friday in Phoenix, AZ


Audio ⊳ Digitakt + Pisound/RaspberryPi/Supercollider
Controllers ⊳ Launchpad Pro, BopPad, UC44
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Here is a self-released CD / Digital I’ve just done, mostly made up of field recordings and minimal sounds / electronics.
It is intended as an immersive deep-listening experience, to be listened through headphones.

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That was fucking GREAT!

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Thank you! That’s awesome to hear/read :cool:

Tried using the Octatrack for some longer, atmospheric, drone-ish sounds and was super pleased with the results. It really is maybe the best example of why I love hardware: I’ve used samples in my music for years, but I’ve never enjoyed them, or found them spontaneous/fun, until I tried the Octatrack.

Oh, and the OB-6 is no slouch either. Wow, what a sound.

Take a listen:

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Casio VL-1 (first commercial digital synthesizer, 1979) as only sound source for create ambient music in live looping with effect pedals (eq, looper, reverb).

I try to challenge myself to produce a sound experiment - create ambient music on live looping with the restriction of using only one instrument: Casio VL-1 (monophonic synthesizer, 1979) as sound source and with minimal / less effects to the instrument. (less is more - truth of the material).

In a scenario of overwhelming number of synths, people often do not take the time to deepen and explore the creative possibilities of each gear/synth they possess.

Signal Chain:
VL-1 > Pre-Amp / EQ > Looper > Reverb.

About VL-1:
The VL-1 was the first instrument of Casio’s VL-Tone product line, and is sometimes referred to as the VL-Tone. It combined a calculator, a monophonic synthesizer, and sequencer. Released in June 1979, it was the first commercial digital synthesizer.

Its sounds were mostly composed of filtered squarewaves with varied pulse-widths. Its piano, violin, flute and guitar timbres were nearly unrecognizable abstractions of real instruments. It also featured a “fantasy” voice, and a programmable synthesizer which provided for choice of both oscillator waveform and ADSR envelope. It had a range of two and a half octaves. (Wikipedia)

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Back when I had one, I used to play it with a hand cupped over the speaker to palm mute it. I think if I had one now I’d still play it that way and mic it. :slight_smile:

Here’s a page that dives into the VL-1’s technical details. Not mentioned here, but another page says the noise for the percussion is shift register noise, which makes sense… so it’s a 1-bit digital synth, with 4-bit digital envelopes (limited to 12 steps though) and there’s an analog fixed filter stage.

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@Starthief Interesting, thanks for shared it!

This is the first of a series of recordings i made through the first half of the year and that I am just getting to finalise now. They are all single take modular synth recordings exploring Teletype’s cellular automata operator (CHAOS.ALG 3) in sequencing. In this case the voices are Mannequins Just Friends (Just Type) + w/ (w/type). Everything is run through Three Sisters. The process was inspired by @dan_derks Less Concepts work (thank you) and particularly the Teletype script used in his first Less Concepts album *nested* + less concepts: album + cellular automata sequencer (norns, Mac). In this case I have two voices playing a simple ASR line and then the Chaos op is selecting the pattern index to play the “arp” line from.

Edited to try and get soundcloud to embed. Any tips? I’m sure it’s not been an issue before.
(It worked pasting the link from my phone)

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20 characters plus of beautiful.

Here are 10 codes for my new release… After Nature.
“slow moving deep listening ambient with field recordings…”

https://audioobscura.bandcamp.com/yum

y3gk-ukwh
3at2-v915
d9z5-6tqr
py2g-kn6d
vk4q-6gq6
6zpf-y76y
k29x-bvzf
zvth-xkym
ngkp-58n6
mt3g-brvk

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Melody driven, random harmony (teletype)

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The final track in this series.

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I made this running two simultaneous instances of @SimonKirby’s most excellent Teletype quantiser detailed here.

Each script sent CV to one of the two channels of a Klavis Twin Waves, a little modulation was provided by a Zadar, and then the audio was squeezed through a Magneto.

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Lovely work, really really inspiring me to make beats / glitches again… and that Melody!!! Stabs me in the heart and tells me that I am alive!

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Thanks! So glad you liked it! Glitch on :slight_smile:

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Here’s some footage from a house show Ola and I played last weekend.

nice phrasing :slightly_smiling_face:
cool soundscapes

@abalone Thank you for listen