Current mood. Not normally the type of music I choose to listen to these days, but a lot of fun to make on a rainy afternoon. Live modular synth noise drone in one take, with no overdubs. Moog Grandmother synth into Valhalla DSP Delay into Eventide 2016 Reverb. Tweaked patch by Lisa Bella Donna from her recent patch book. For fans of Coil’s ‘Constant Shallowness Leads To Evil’, or people who need their head’s rinsing. Download 24/96 .flac here:

http://hermetechmastering.com/GoatWillow-TunnelOfDeadGoats.flac

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New video in our live from HQ series, Sun Glitters - Wrong Days:

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Sunday morning, I stood in for a slot at a Leeds community radio station’s ‘Musicathon’.

I think I went ok…

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Collaborative tracks, all sounds used tenor saxophone & sundanese flute, and process to digital signal processing for make electro acoustic music with less effects only reverb and more truth of the materials. From ambient, drone, microtonal, to free jazz.

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For this track I’m putting to use some features on the Polyend Poly2 MIDI to CV converter. It allows me an extra pitch voice that I’m using to achieve a third harmony on the second oscillator of the primary modular synth voice. I’m also using midi CC info written into clips to automate control of the delay repeats.
Custom Monome sequencer handling drum sequencing, percussion, arps.

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End of semester. Very tired. NDLR saves the day with instant sequencing and inspiration. The NDLR really is a great palate cleanser for music, and for life. And having a few great synths on the table certainly helped. Please take a listen, if you like longer and more expansive ambient tracks:

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brand new to github
hello-world
(feels like my first time in new york – this place is live :slight_smile:)

https://raw.githubusercontent.com/abalone1969/hello-world/master/forestlawn1.webm

cc license file
ORCA and Pilot

New LP Monolith featuring QuBit Bloom/Chordv2/Prism and Tone. Some splatterings of monome in there too. Hope you enjoy listening to it as much as I did making it. Thanks

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Hi there,

I just released a new music video for my upcoming album, out February 28. The song is called “Le Triangle des Bermudes” and the video is produced by my dear friend Gregory Wagenheim.
Hoping some people here will enjoy watching it.

Cheers

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Something slightly funky

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Ayo
Here’s a song I made with a loop created through a Christian Marclay type record collage process
Enjoy and let me know what you think

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Elektron Digitakt Jam
Record on Zoom H6

17 minutes
69.7BPM + 95.7BPM

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Little People performing a cut down live version of one of his tracks in my studio. Lo (Little People) actually uses a Grid in his normal live setup (along with a bunch of other cool geeky stuff), he put a ton of effort into this little live version with the Korg Pad and iPad though, pretty cool to see a lot done with so little

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With my newer music I have been putting a focus on meditation as a process and as a final result and in that regard Pathwaves was created sitting in my living room at night sitting infant of the fireplace with the limited time I have to create music and is inspired by thinking of a visual pathway and or a pathway for you life thinking, moment, and turning that into audio waves slash video waves to help procure a state to help begin some meditative thought. Pathwaves was recorded live in my living room using a Korg Poly-800 played into a Monome Norns ruling the MLR script and the video was made in 2 parts with the 1st part created by Justin Howard doing live liquids and the 2nd part was me doing video synth stuff independently from what Justin was doing wile never seeing each others work and then overlaying them together to create the final audio visual video.
Audio: Robotboot
Video: Justin Howard~Robotboot
Audio Record: 11~30~19
Video Record : 12~01~19
Air: 12~12~19
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Sound compositions used only waveform (Sine, Square, Triangle, Sawtooth) as source with Automatonism modular synth patch in Pure Data. Exploration of what sounds can be made using just electronics and math algorithms [sequence/probability] with waveform, bleeps, glitch, loop, scratches, percussive effects, and noise in rhythmic : for the truth of minimal sounds aesthetic.

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I finally went through putting some of my more ꧁experimental꧂ music onto my very ‘commercial’ Spotify :hear_no_evil:

This track I made a couple years back and encapsulates what I kind of want all my music to sound like - a fighting contrast between minimality and heavy compressed forcefulness. It is kind of an offshoot of my earlier strictly lofi hiphop songs mixed with my experimental electronic bass music alias of the past.

Hope anyone who listens enjoys and feels transported to any sort of realm : )

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still fixed on the novelty of applying Zadar’s shapes to various (noise, oscetera) signals

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Finally finished a track after a long break! This one has a lot of firsts for me:
  • First video with my rack
  • Trying out an animated logo using a cellular automata simulation which I built
  • Incorporating some nature videos I took

Would love some feedback!

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Fugue Machine, a bunch of great synths, and a couple of hours alone before the holidays ramp up. Thank you all for being such an amazing and welcoming and intelligent and nuanced community across this year. I love coming here to see all the amazing things people are making.

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The chord progression on this track really provides a great foundation for the piece. I’d be maybe a little more inclined to effect the voices (it feels a wee bit dry). The addition of nature is awesome and you seem to have struck a good balance. Nice work!