135 bpm modular beats sketch/jam :

Sound experiment, process, and patch.

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earlier this year i was asked to do some music/sound design work for a series of videos by Bo Lee. super happy with the way they came out! :sweat_smile:

this clip is from Bo’s instagram.

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New album on Bandcamp. Much more to come but I wanted to collect and release these noises before I forget about them. Enjoy

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This is a meditation thinking of original thoughts and thinking and how of then as you grow you have a parallel thought that you would of ben totally agents when you first started this thinking and hadn’t had the time and or experience to change. This video a video I shot Olympic National Park Mink Lake, a field recording at a location that I cannot remember where, and a live modular audio performance(a friend Validine Chronus herd and saw an early version and decided to send over a simple yet fitting synth part so I added it and it worked wonderful and fell into the working in parallel theme).

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  • produced and directed in self-isolation and remote locations by mebitek & Jele Raus

In times of limitations and quarantine, art cannot and must not stop, for it is naturally inspired by shared ideas, which are not subjected to limits of time and space, We do not stop.
#iononmiarresto #wedontstop

  • Lyrics:
    Quarantine, there’s nothing here
    No one talking to myself to hear
    Thy ghosts are dancing in my head
    Secretly whispering thoughts in my ear
    Shine quarantine shine
    Let those clouds align
    Creating a crystal shrine
    Of a carnage blood wine
    And the flesh and livers combine
    Oh Nature divine For yourself be benign

  • all music has been produced with maschine

feedbacks welcome
regads from Sardinia

#covid19 #quarantine #quarantinechallenge #quarantena #quarantineartchallenge #quarantineart #wedontstop #wedontgiveup

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Finally recorded a patch that really made me smile. It’s fairly basic but it was really fun to play!

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Dropped a little new album today.

instruments: eurorack modular, buchla 208r, ciat lonbarde plumbutter

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Bored with writing an open call application, so decided to knock out a bit of bleep techno instead!

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Today I felt low and I wondered how long this lock-down will go on for… Its been 10 days and I’ve been in the garden every day and ‘out’ to the supermarket once in that time.

The news gets to me some day and this track felt bleak when I started making it at 6am today, I recorded for 1 hour and then went about my day, home schooling my son and feeding the family. The intial sounds you here are of my washing machine (recorded with contact mics) were made earlier in the week but I never listened back to them till now. I added them to this track and slightly slowed them. Added slowed down piano and the synths.

I returned to these sounds this afternoon and did a few more hours on this, keeping the initial feel of the track but adding a bit more depth to it. What I like is the general low-fi quality of this track, it don’t want nice clean sounds at the moment. Sad world and sad times.
Stay safe

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Some new old-school style techno out today:

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New track during lockdown. Sequencer music with MU/5U modular synth through distortions and reverbs
OTO and RML effects still provide me some new colors and features.

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I perform a live set using re:mix and derp at the beginning of this live stream. LED feed back froze in the middle of performing and I played the rest of the set from memory.

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The Wikipedia says that a Nocturne is:
“usually a musical composition that is inspired by, or evocative of, the night. (…) The name nocturne was first applied to pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. (…) Nocturnes are generally thought of as being tranquil, often expressive and lyrical, and sometimes rather gloomy”.

At home, in the loneliness of the night, I play it and it seems to me as if the music was part of the landscape, as if it were not something strange but rather part of the dark night, as if that music was already there from before and you only had to turn up the volume dial to listen to it. I should have recorded this at night, I know, but with my video equipment I wouldn’t have a decent night recording.

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Last one of this series and album:

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Here’s my latest track, something optimistic in 7/8. Sequenced from teletype, patch notes in description in youtube…

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“But the second [dream] it was like we was both back in older times and I was on horseback goin through the mountains of a night. Goin through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept on goin. Never said nothin. He just rode on past and he had this blanket wrapped around him and he had his head down and when he rode past I seen he was carryin fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.”

-CM

Q///05 is a Reich/Eno-inspired long form collection of tape loops. Instruments include: Moog Subsequent 25, @tslesicki’s Lekko, a pine cone through @dan_derks Cheat Codes (thanks @noiserock!), a bowed glockenspiel, acoustic guitar, Chase Bliss Blooper, and various other stuff. A shout out to @jwm whose sound and steady advice sent me down the reel to reel rabbit hole last fall and to @marcus_fischer who is who I want to be when I grown up.

Cheers!

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lyra8 based album (raw edit, no mastering)

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This is video of a live stream I did tonight. Performing a track from an album I’m working on. The song is called “One place is all places” and it’s performed using a Portastudio 4-Track, Nebulae V2 and Z-DSP and Echoz for effects.

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Hi!

I just wanted to share my latest album in which I’ve been working for almost a year. It’s a soundtrack project for a non-existing film. All songs are live improvisations using modular synths and acoustic instruments. Computer has only been used for mastering. Hope you like it!

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“Rustle” is a project about Alienised Public Spaces.

Using generated music and tones and music combined with edited field recordings, the aim was to create alien soundscapes from human environments. In collaboration with Media Butcher, the project expanded into an A/V work, and became about reinterpreting human spaces into unfamiliar and sometimes disconcerting audio visual scenes.
The project has been gestating and gently morphing for a couple of years, but, now seemed like an appropriate time to begin releasing such a work.

“Slo Down Pony”, (the first released part), will be track two on the audio EP of the “Rustle” project.
All audio is created by Animal Botanic
All video is created by Media Butcher

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