This is something I’ve been working on for a while - coming out on June 5th with Room40. Recorded with a diskclavier piano controlled by a modular. Here’s a little video:

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Transductions is an attempt to reduce some of my approaches to electronic music down to a simpler form, retaining the structures and systems but swapping the limitless tone colours of a synthesiser for the timbre range of an acoustic piano. The album was recorded using a Diskclavier, an acoustic piano that can be controlled by an external MIDI source. In this case a modular synthesiser is producing the MIDI data through an improvised performance of a generative patch design. My own interest in electronic music has often focused upon dynamic, complex and often noisy sounds made possible through synthesis, more recently focusing upon analog modular synthesisers as the source of these emissions.

Through my use of modular synthesisers I have become more aware
of my interest in systems that generate musical structure, especially when the line between timbre and composition structure becomes difficult to identify.
The compositions for Transductions were produced using simple analog components such as low frequency oscillators (LFO), wavefolders, clock dividers and sample and hold circuits, interconnected to create complex dependencies and feedback loops, resulting in precarious systems that respond
erratically to subtle interventions. Perhaps echoing Joel Chadabe’s description of performing with his own electronic music systems as being akin to ‘sailing a boat on a windy day and through stormy seas’. (The Cambridge Companion to Electronic Music).

The title Transductions and the various track names refer to a shift in energetic form, from electric to kinetic through the Diskclaviers solenoid, from kinetic to sound vibration, from a vibrating car to vibrating body as I dose with my cheekbone against the passenger window during a long road trip. I have
worked almost exclusively with electronic sound for so long; hearing and seeing the piano’s physical body shake made me appreciate anew the complexity of the real world.

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I used a Piston Honda MKII > Three Sisters Filter > Tascam Portastudio for the main melodies that run throughout this one. Other gear I used:

Metasonix R-51
Make Noise Morphagene
MI Marbles
Tascam Portastudio
Teac 1/4inch reel to reel.
Acoustic Guitar
Elektron Digitone
Kontakt
Minimoog clone
Drums, arrangement and mixing done in Ableton Live.
Loads of plugins.

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Messing around with the Less Concepts M4L device and Madrona Labs’ Kaivo

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Started making some new videos on youtube :slight_smile:

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All sound on these tracks, made with Automatonism patch in Puredata.
From abstract electronic, idm, noise, modular techno, to ambient.

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Some More Noise …

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Free jazz improvisation on 42 hp eurorack synthesizer.

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I’ve been doing these daily variations, all with Buddha Machines as the source input. This is today’s. Paych details on the YouTube page:

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MN X-pan just arrived and I’ve been dying to run the instruo Lúbadh through it!

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Oh crap. Just when I’d talked myself down from buying a Lúbadh. :frowning:

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Modular techno jam in 125 bpm with VCV Rack : used Autodafe drumkit, Mutable Instrument Braids, and Plaits as sound sources.

Just put together this little video for the opening track of my latest album. Hope you enjoy it.

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[a03]
Live performance using modular synths and CV Tools.

It is the fourth work that focuses on the atmosphere.

All sound sources come from Percussa SSP. (Wavetable Oscillator Module, Sampler Module and Granular Module)
All events come from Teletype. (+SSP)
PNW is the master clock.

CV Tools receives the trigger signal and controls the M4L patch and AL effects.
Thanks for watching.

(:headphones:I recommend listening with earphones or headphones.:headphones:)

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“Memory Fades,” a short audio-visual performance piece for synthesizers. full details in YT description!
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Inspired by electro acoustic music. I recorded kalimba sound with mic condensor, import it to NYSTHI Simpliciter (sampler module), and set random for some parameters : gate, octave, pause time, variation speed.
Layering with generative sounds of Mutable Instruments Rings in VCV Rack, and at the main out of the mixer, all sounds to Valley Plateau reverb module.

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Having a second go at the modes of melodic minor. This one has a very impressionistic vibe to me and I really like the floating feeling this conveys.

The patch for this one is fairly simple. It’s a simple drone made up of two EvenVCOs and the BF-22 and the Piano going into Clouds in granular mode. The output of the modular is then sent through a Revox A-800 tape maschine that I use as for it’s tape delay mode here.

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New release out on Bandcamp today. Musically a bit all over the map, but that’s where I’m at right now. Thanks in advance for checking it out.

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