Thanks!
The VL-Tone has a great sound. I like it to make melodies.

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Marbles to Rings for abstract kalimba sounds, sine wave on low frequency inspired by gong, and field recording to generative sampler (played in random positions).

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New Ingrown digital release - this time from my friend Tia in the UK.

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Very chuffed. Chords via 80s synths, sine tones and layered field recordings (rattling formica ceiling on a ferry in Croatia, anyone?) via Audiomulch. My friend and I started work on the tracks that made up this release almost exactly 2 years ago, so it’s nice to see them coming to … light. Out on next Bandcamp fee-waiving day.

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I created an electro acoustic composition, using sounds of Lyra-8 organismic analogue synthesizer, Dvina, Ether, and one acoustic instrument : bonang (Javanese gamelan) as additional. The composition are about minimalist approach, sound design, time-stretching for drone sound, granular synthesis use program based on Max MSP, and only use reverb for effect.

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Circuit Monostation through 4MS Dual Looping Delay. 2 channels of Eventide Blackhole reverb & RadioShack CTR-111 tape recorder. Voice is me reading “For the Love of trees”, a poem by Evelyn Ripp.

For the Love of Tree’s

In my mind’s eyes
My far-off forest world
Comes vividly to life,
And again I hide.
The trees know
Why I’m here,
They nod their heads
As they watch over me.

They speak to me and they listen.
I tell them all that I’m thinking
And they keep my secrets.
And they groan and they weep.
Now and then a tree shakes
Frightened by a bad dream.
They’re even capable of suffering.

Trees are self sufficient:
They adapt to every environment,
Bend in the wind and
Stand upright again,
And they regenerate themselves
With every spring.
Yet, something about them
Speaks sadly to me.
They can’t respond to assault –
Fight, or run for life.
it’s as though they opt
To stay dug insideWhere they grew up,
Tied to their roots
Within their native land.

I can still see the forest,
Though it is gone.
It had been harvested –
Cut down.
A new generation of spindly
Saplings sprung up in its place.
They don’t cast shadows yet.
Will they perpetuate the traits
of those distinctive Old Trees?

My deeply heartfelt thanks to you,
Dear Old Trees of righteousness,
Givers of life and sustenance.
For two long years we sat together
Beneath wnter blizzards,
Torrential downpours
As the sky disappeared
Under flashes of lightning
And thunderbolts
Or winds so intense
Sending huge tree trunks crashing.

Without you
Survival was impossible.
And even now,
A longing breaks my heart.

For the Love of Trees
Evenlyn Romanowsky Ripp
The Abandoned, A Life Apart from Life

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I recently made a sculpture called Sound Fisher (a reference to Pauline Oliveros’ wonderful Sound Fishing piece). I made it for the SUB TEI Gallery as a part of the 2020 online 48h Neukölln festival in Berlin. All sound is from the river, which is filtered to pick out pairs of notes from the broad spectrum of the river’s sounds. Larger splashes of water trigger a new note.

The sculpture consists of a clay pot, contact mic, Bela running Pure Data, batteries, and a speaker. Recorded in Bowmanville Creek near Lake Ontario on June 19, 2020.

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“harvest moon,
and mist creeping
over the water”
-Hattori Ransetsu-

this is ¶radio hummingbird’s contribution to the Naviar Haiku music challenge volume 338. each week participants are asked to create a piece of music in response to a provided haiku poem (see above).

this piece has been recorded on a eurorack modular synthesizer in one single take. the only outboard effect utilised has been a cassette tape echo directly interfaced with the modular and a daw has only been used for a light mastering of the recording.

this week’s poem is so expressive and evokes such clear images in my mind. i hope the piece of music resulting from those images does the text justice and leads to equally as beautiful visions in the listener…

please enjoy.

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The latest release on Conditional is out today, Synalegg’s ‘Beating the Odds’. Mossy sound design and fractured rhythm, I think some of you will get a kick out of it!

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I just released a video on the drone presets I created for the Prophet 12. I’m going to make another one this week on all the other presets. At some point, I’m going to release all the presets I made available.

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@ingrown and @fahmi_m
just had to screen-capture this moment to share… i enjoyed both your tracks so much, i kept repeating them, finally tried playing them together and that was a happy find too:

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having fun in tidal club
learning lots :slight_smile:


d1 $ sometimes (hurry 2) $ s "bd*2? xe8:23"

d2 $ iter 4 $ sometimes (# squiz 3)
   $ note (scale "blues" $ "a c e" |+ (irand 2)) # s "model15:12"
   # gain (range 0.8 0.9 rand)

d3 $ slow 5 $ sometimes (palindrome) $ rarely (# squiz 1) $ n "8 3 5" # s "evox23"
   # gain 1.2

d4 $ loopAt 3 $ chop 9 $ s "break:3"
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In these tracks, I experiment with generative polyrhythmic patch use only one synth module : Karplus–Strong as only sound source with Automatonism 3.0 in Pure Data. Minimalist approach, truth of material, raw, and no effect. Inspired by karinding, shamanic druming, and jaw harp.

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Getting closer to finding the perfect way to integrate my iPad with my modular. I suppose eventually I’ll snag an expert sleepers module but the Zoom L-12 is great in the meantime! Samplr is such an amazing app and it the new(ish) firmware is fantastic.

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A Yamaha CP gets me a couple of Rhodes loops and a toy piano loop, and a couple of layers of ebow acoustic guitar finish it off.

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So how are you doing it? I can’t see from your video how you have integrated the iPad and the eurorack…

I’m really interested in running modular audio into iPad and back…

Are you sending midi to modular?

Thanks!

Modular is getting clocked from op-z but no midi. I have different channels of the Zoom L-12 routing voices from the rack into iPad. I’m using the iPad for effects and I’m using Samplr to play back previously recorded sequences. Unfortunately this setup doesn’t allow for a midi connection between the iPad and OP-Z but I’m sure there’s some kind of work around. The sequence from Samplr is free running and I like that it doesn’t line up perfectly.

The L-12 isn’t perfect for iPad + modular + op-z mingling but it is much exciting than any two channel interface I’ve used before.

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some green room techno. came together quickly this afternoon.

morph > bark. evens into echophon, odds into 3 sisters. entity kick. percussion from squid salmple > verbos delay. light compression in ableton.

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This track was created for the Synthstrom Online Festival #2 that was live streamed June 27th of 2020. All sounds come from the Synthstrom Deluge (Boards of Deluge soundpack & SiccaVicca drum samples). I later added some parts with my Kawai upright piano.

This is the link with the complete stream of the festival, with a lot of great independent artists: https://www.youtube.com/watch?v=C79e189HYPQ

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Here’s a tune my band release a little while ago. Absolutely nothing monome related… I’m on guitar and background vocals. Maybe our next album will have a lil monomeness. Please play/share our songs :pray: we are trying to reach new audiences.

https://youtu.be/Tk8Teph8JVg

1 Like