First track with teletype and hermod sharing sequencing responsibilities. The basic idea is to delegate long melodies and controlling midi gear to hermod, so I had to write something with a long melody + use the yamaha reface dx :slight_smile:

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Had a lot of fun making this, working on ways to “play” the TT param knob lately.

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So many great tracks on here :clap:. This will be my first post :grimacing:. Kinda sorta ambient sounding. Actually now that I think about it its really just drone music ahah. Not that there is anything wrong with that!

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This video has a special guest: my friend and young guitarist Marcos Sarmiento. We play synthesizers and electric guitar to pursue our own particular and interesting mix of styles.
Everything but the guitar comes from the Synthstrom Deluge, which I live recorded in a beach from Guadalmina, San Pedro Alcántara, Spain. As guitar FX Marcos used Logic X plugins.
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Couple of Ambient tracks.



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I live vicariously through my friends’ guitar playing.

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Rings in easter egg mode
Plaits > Ripples > Clouds as layer
Tides > Qpas > Mimeophon as lead and drone
Marbles (Latched) for sequencing
All into Big Sky
Break with Octractrack
Modular and Octractrack in Teac 244.

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I don’t know why I love this so much.
I think it just shows the process, the build up… the breaks… re-considering… deciding.
Thank you for sharing, it’s beautiful.

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This is a sound collage made with Morphagene, my kalmiba and my sons bongo drum. I made three splices of Kalimba and bongo playing on Morphagene by sitting my Azden shotgun mic on the floor and playing the drum and kalimba below my desk to avoid feedback from my monitor speakers. The sound of me setting the kalimba down on the desk is also picked up as a percussive element.

It’s been rainy here and I recorded some rain from my window today but the recording wasn’t great so I used one I made outside the house last week during a thunderstorm. The storm recording plays into my modular system from MTM Radio Music into Dual Looping Delay, into Clouds, and finally into Morphagene, which is playing back the Kalimba / Bongo recordings.

A slow offset from a 111 bpm clock is sent to Morphagene and Rene. Control voltage from Rene is sent to Morphagene’s slide input and used to modulate playback position. Splice, position and time controls are manually manipulated.

Clouds starts to catch on to chunks of the thunderstorm, stretching bits and pieces of it out while Morph turns the kalimba into a microcosmic gurgalimba thing. Things get kind of trippy sounding for a minute, before they go almost back to the normal sound of rain.

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thank you so much, means a lot to me!

the piano is amazing :slight_smile: would you like to tell me how the transducer works?

Sure. It was this one, I believe. https://www.sparkfun.com/products/10975
It’s basically a speaker unit without the cone, making the connected plate at the end vibrate. In that video the chain is contact mic –> Bela board input -> Pure data -> Bela Board amp output -> transducer. The Bela board is running a Pure Data patch, basically just some handling of the feedback signal and a slow sinewave to introduce some movement to the feedback chain. I could change the sine frequency via the foot pedal (a slide pot was attached to make it possible).

This is a screenshot of one of the versions of the patch, I can’t remember if it’s the one I used in the video. The video version might have had a limiter somewhere as well.

Skærmbillede 2020-08-14 kl. 14.35.58

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dm me for a free copy of the ep

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Kickstarter for The Galaxy Electric’s new album - includes fun rewards like custom Reel to Reel
Album Trailer:


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Chopped, stretched and slapped some samples together! Mmm, delicious sound artifacts! (Made on Octatrack)

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i think i spent too much time on this one, took me 3 weeks to lay down the music alone :sob: kept experimenting too much, slide guitar was sounding too Allman Brothers at one point :laughing: :guitar: :face_vomiting: so i had to keep rewriting parts, i probably should’ve put it down for awhile, but… pandemic and all… this keeps me sane… pretty happy with the music but don’t want to write more like it anytime soon, and the visuals here while nicely accentuating the feel of the music turned a bit more psychedelic-fractal-slaughter than i cared for :joy: …oh well, just gotta put it out in the wild as is sometimes :raised_hands: :crossed_fingers:

and if you ever just want to listen to the track:

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“Inside the Geiger Counter”
I made a sound/noise that sounded somewhat like a Geiger counter and started to play around with that and suddenly I had this. Just pretend it’s the title sequence to a David Fincher film or maybe “American Horror Story”…or something :slight_smile:

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I was going through some drone study/practice using the Telharmonic (having fun :).

Telharmonic’s 3 voices (shift register mode) mixed to quadratt > QPas > Mimeophon > Out
Clocking, sequencing, and gates from PNW > Telharmonic dgate, interval, degree.
Reverb from Big Sky into Teac 244.

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using a SOMA Pipe into Barcode @infinitedigits with Cheat Codes @dan_derks and the heavy prescence of dysphoria brought in through Dronecaster @tyleretters

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