Yes I understand that, but in my situation i would still be exploring and improvising live, but just not from a clean blank template. I view each one of these saved stage settings, as starting points for improvisation. Itās the same way that Buchla designed the preset system for the 200e, as starting points for exploration and improvisation and uses as a live tool.
I would like to perform something like this live. I can, but itās not practical. I did save all the setting in a text file on my computer. So to do that currently, in a sound check, I would have to manually re-enter all that info for 7 presets from photographs on my iPhone. So I donāt do that, I just currently use in the studio.
For studio work and jamming, itās fine how it is, I can jam and cut out the best bits in my DAW. But for live, Iām not going to randomly jam hoping I can capture something like this, because I know 90% of it would be unlistenable to the audience without having some sort of base point to work from. Even when you have all the stages entered, itās not as if it automatically plays the same everytime because it doesnāt. You still have to work it to steer it in the right direction.
Obviously I respect the decision, if this idea opposes the original concept.
Itās just a suggestion, and I just wanted to highlight a practical reason of how I would plan to use and why I currently canāt use live. Itās a brilliant script.
