Hey, thank you so much!! It was an earlier incarnation of my modular synth — I had to sell off the majority of the modules I used for these tracks in order to make rent last summer 
This is the setup for light and space; I remember what was going on in most of the tracks, but especially “cloud box” 
I had a sample in the Phonogene whose sections were being scanned through by a very slow LFO, with the output from that run through Clouds at around 50% dry/wet; the sort of woodwind-like tones you hear above the main sampled melody are Clouds granulating the Phonogene’s output with the texture set all the way to “slippery,” and the pitch being changed by the TSNM running on sequencer mode and clocked by the “slice out” pulse of the Phonogene.
Not pictured here is a little Pocket Operator, the drum one, which is being clocked by the Phonogene as well; it’s a nice irregular clock, so the drums are kind of going in and out of sync. The drum track is split, with one signal going through the hacked Monotron Delay that is behind the big white plastic panel in the picture; this effected signal is being panned and scanned by the Cold Mac, which itself is modulated by the same LFO which is moving through the Phonogene slices.
I think that’s more or less it! At one point I took over the sequencing on the TSNM and did some manual noodling, which is that synth line at the end; everything else was completely automated and generative.
And then I moved across the country, became very broke, and sold the Phonogene, the TSNM, and the Cold Mac; so the patch for “cloud box” feels especially poignant and unrepeatable in a site- and time-specific way. Thanks for the trip!
