I just went through this for a sound design gig abroad. I put my rig (sound card, grid, isms case, and octatrack) into a pelican 1720 case under the plane.
Having done it now I’ll say that I don’t want to do it again, and I’m currently building a revised rig that’s entirely carry on. I don’t want to do it for a few reasons:
– My partner’s bags were lost on the return leg, and it was nerve wracking sitting there waiting to learn whether my rig had also missed the transfer (it didn’t thankfully, but still not a process I want to repeat).
– You never know how someone will treat your baggage, and you’re at the mercy of the weakest link. Eliminate the weak links.
– As a creative limitation, I find the challenge of “bring only what you can carry” to be rewarding on a very fundamental and practical level. It also makes set up / breakdown at venues a breeze (rather than having to wheel the flight case out, pack it all up, etc)
As such the new rig will be a 7U 104hp Intellijel case (fits as carry on on all airlines, I show up pre patched and with grid presets ready to go, which is a plus with this case) and an octatrack + drum machine (likely to be the digitakt, but for now is a tanzbar. Fits in a backpack along with laptop and other essentials). The Digi seems the most practical way to carry all my drum samples from my stems, plus analog drum machine samples, plus pre programmed patterns, etc. Octatrack is set up with two thru machines (one for modular one for drums), one pickup machine (set to quantize looping) and a neighbor for 4 FX on the pickup, plus three tracks with stems from my songs and track 8 is the master.
Hope that is somewhat helpful!