I took a week off from my day job (making an album of songs) in June and recorded six improvisations, one a day, all based around chance, all based around the Ieaskul F. Mobenthey Dunst module. I knew from previous explorations that it could generate evolving rhythms and worked well when feeding back on itself. Four of the recordings worked well to my ear, and while it wasn’t my intention to release them, with the encouragement of my trusted producer, Chris Hughes, I’ve decided to do so. This is the exact opposite to most of my albums which usually come from years of composing and recording. All tracks were recorded live to stereo, the sound source is my modular synth, leaning heavily towards the Make Noise case, there’s DPO, Morphagene and Mimeophon on all of the pieces, with a few external delays and reverbs.
I reached out to my artist friend Samantha Keely Smith for the artwork and she kindly allowed me to use 4 paintings from her Aerial series. https://samanthakeelysmith.com/aerial
Mark Alan Miller mastered.