Norah Lorway does wonderful stuff with Supercollider and Tidal.
Here’s her latest…
As far as I’m aware, Jeremy Keenan uses SC a lot, if not exclusively.
Some epic atmospheric feedback mangling in there. I particularly like ‘Zapffe’.
Check out Michael Flora’s stuff:
Nice find! This is a definite buy here. Thanks for posting the link.
Oh this is cool to see… Norah’s my supervising lecturer at Falmouth Uni.
Bit late on this one but this was posted by @Ali_Rasulovitch in the first few months of my being on lines, and I still listen to it quite often. So inspiring in terms of what sc is capable of. There’s a nice discussion of the process here as well.
Was that tape made on SC though? I know he’s working with it more now, but the transition on when his material went from PD to SC is a bit fuzzy. Curious now.
Really cool records! Thanks for sharing…
idk. i just assumed since every time i’ve played with him in the last couple years it’s been pure SC and sounded pretty similar
Cool, well, it’s been a few years since I met him and he was in the PD zone. Not sure when he made the transition. Not doubting, just was curious about the break point in his work.