To elaborate on Rene 1 and Rene 2 being quite different, I wrote this (over on MW) back when Rene 2 came out, and I still think it’s pretty accurate:
As a long-time user of Rene 1, Rene 2 looks familiar enough, but also radically different.
Setting aside the little-loved memory feature, Rene 1 is an inventively re-imagined classic-style “analog” sequencer with a quantizer tacked on. Rene 2 is unapologetically hybrid (my parlance for what Tony calls “digital knobs”) and contains more-or-less three sequencers. Rene 1 was about carving different paths through a set of CV values, with some obscure gate processing features added. Rene 2 streamlines the gate handling situation and sort of deemphasizes it. Moreover, Rene 2 deemphasizes the use of the sequencer for general CV and emphasizes its use for pitch: the unquantized output is gone, and variable quantization settings per sequencer are front and center. I think Rene 2 is primarily —not exclusively, but where the sweet spot is located—about the juxtaposition of melodies . (That is also how Rene 2 is being demoed to the world.) This is a radical and surprising move from Make Noise, which in the past has not seemed specially concerned with melody.
Despite my mad-powerful allergy to “digital knobs”, I’m impressed with the design. Rene 2 looks fun, and more interestingly performable than Rene 1, because it solves the problem of what to juxtapose against: Rene 1 was an island, Rene 2 is a system .
(For the record, I never adopted Rene 2, myself.)