#18

I used to have my home office and music studio in the same space, using the same computer. I recently split them up because I found that the process of task switching from office work to music play (close some apps, open some apps, turn on the controllers, make sure the wires are connected, get the DAW ready, etc) added just enough friction that I’d have anxiety about the right moment to do it. Am I really ready to stop working for the day? If I get into that tune am I going to want to get back to work?

Now that it’s split up between two rooms, it’s just a matter of walking in between and there’s no real “cost” to switching. Sometimes multi-tasking benefits from multiple computers.

All of this is at home though. When I’m in Palo Alto, I work at work. I just want to get it done so I can get on the train and get back home to my wife and my critters (all 18 of them!) and my home studio which is increasingly getting dialed in just so (especially since I stopped semi-tearing-it-down daily).

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#19

Really interesting thread

[quote=“ppqq, post:1, topic:5856”]
Do you make music at the office? (This sort of presumes a traditional office and a business that’s not about making music but really anything goes.)

If not, why?

If so, why? And how do you make it work?
[/quote]I recently got a laptop and a few portable synths allowing for simple play so if I arrive early nobody cares how I use em.

However, generally speaking, no I don’t make tunes during working hrs. I work in a pretty traditional office dealing with insurance and financial services (retirement planning, annuities, etc). We always have music playing, which is great, for our own enjoyment and for visitors. I’d definitely say that our office culture is more relaxed than most in this industry.

Also multiple breaks are encouraged but are normally spent talking with my team or snacking…I can’t imagine actually making music in this setting.

I’d find it difficult to concentrate on actually producing something sonically creative w/o an uninterrupted block of time (a rarity).

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#20

Yes, the computer I’m using (almost) exclusively for music now (2010 iMac) was originally my everything-computer. When I got it, I also got an iPad to try to get a little portability, which worked within limits. I looked especially for softsynths that functioned across platforms (e.g., Crystal), but found that not to be ideal for a variety of reasons. In the end, similar to you, I found I had to alternately set-up and tear-down my academic projects or music gear in order to do anything more than the most cursory work on either.

I replaced the desktop with a Macbook Air about a year ago, specifically intending it as a work platform. This has allowed me to increasingly dedicate the iMac, which is still going strong, to being a studio hub. With the recent addition of a Push 2 as a MIDI interface (along with a standard 88-keyboard), my set up feels dialed-in in ways it was hard to imagine before.

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#21

I started working for a company named Planet Rider this last summer. It is a small company in Flagstaff designing axial transverse flux motors. I work in the small machine shop fabricating different parts. I bring my MacBook and monome with frequently. Lately, I am enjoying sampling the different sounds of the machine shop into grainfields and jamming. We have a nice stereo setup in the shop so I can play and listen loudly while I work. Pretty great.

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#22

During the summer I had an MPC2000 setup on the coffee-table in our workshop. I’d make a beat in 15 minutes each morning after riding to work, make an iphone recording if it was worth remembering, or just switch it off (the zip drive is broken so no saving). It was incredibly cathartic and a great way to zero-out the headspace before delving into work. This stopped when I took the machine home to make music with, but honestly nothing ever materialized from that. I should bring it back!

Fwiw: While I make music devices in the workspace, it’s a shared space where this was only really practicable if I was there solo, or working on headphones. It’s incredibly hard (for me) to listen to someone else make music while trying to concentrate on anything other than that music making!

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#23

[quote=“Galapagoose, post:22, topic:5856”]
…no saving . It was incredibly cathartic
[/quote]I think this is important

I don’t do it as much I used to but probably should return to this for my own health. Two important phases of my life included extensive play without documenting/saving it all.

Might just take headphones and a sampler to try something similar in 15-20 mins each day

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#24

I brought in a Mother32 and let one of my grad students play with it a bit, but he was all ‘why not just do that on a computer.’ But one of my undergrad thesis students was more into it; he used to be a rock drummer so… makes sense.

The self-concious thing… yeah, I should get over that.

Thought to all - does anyone work in an environment where break time or after hours evolves into music making?

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#25

Chordbot, as mentioned before, is amazing for making music/planning/playing anywhere. But If you have a computer at the office, you can, as I have, run Audacity without having any admin permissions, which means you can play with audio pieces as well as put most vst effects on them wherever (Audacity lets you load VST effects in).

It feels like cheating cause it’s not a DAW but if you’re just doing cleaning or ambient bits with samples, you’re good to go. My most recent Junto project was done at work because I knew I wouldn’t have time to do it over the weekend/at home.

EDIT: Don’t tell my boss!

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#26

Wow - this is exactly what I used to do before work. It’s so much fun!

I find this is easier to do with sample-based music. Many of us listen to music on our way / during / after work and it’s easy to find snippets to loop - if you’re looking for them :slight_smile:

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#27

I like to keep my op1 in my backpack and take little music breaks out in our studio backyard.

I’ve also made generative patches in reaktor blocks and left them going for hours to listen to (on headphones) while working.

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#28

great thread! i work at a post production facility and maybe 2 times a week i bring the modular. I try to find an empty edit suite (which usually has great monitors) and hang out for a few hours after work experimenting with things. I usually don’t write or record anything cause inevitably someone will stop by and ask what it is etc. but I am able to learn and experiment with stuff.

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#29

Just got a new OP-1. I actually got it for this exact reason. After all, it’s a portable synth :slight_smile:

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#30

I do have a Nord Lead in my office to reset my mind and get into a creative state when preparing presentations. I often feel that this goal-less playing leads to some of my better ideas. I never record something, as this would distract me from my work, and as composing is not what I am getting payed for.

But in contrary to @glia and @Galapagoose I did not yet manage to be relaxed about letting these ideas just go. It more often feels like a loss to not do something with them…but at the same time I have to admit that I always enjoyed these creative moments way more than putting these moments together into a coherent composition with some sort of dramatic development. I really do suck at this…guess that’s why I never found someone mad enough to pay me for composing ;).

#31

I need to start putting my iPad into my bag for the train on the way to and from work.

Some apps I enjoy:

Audio routing:

For playing pads and leads (can be used as a MIDI controller with other synths) and also includes a step sequencer for drums:

Much more advanced rhythm sequencer:

Melodic sequencer:

Drum synth:

Sampled drums:

Tracker, non-traditional DAW, modular (cross-platform, will also work on a Raspberry PI quite well, or any other platform)

Synth reproductions:

Original iPad synths:

DAW

  • I use Garageband, but it’s awfully heavy, would love a lighterweight recommendation. Why oh why did I buy the smallest version of iPad storage?!
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#32

Big fan of chordion, dot melody, and patterning from olympia.

Also a fan of Borderlands. People have seen me using it and asked if it was ‘like that Tom Cruise movie.’ Very intuitive.

http://www.borderlands-granular.com/app/

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#33

Awesome. I did something similar with a plumbutter a few years back. It was fantastic. Best way to kickstart the day. Better than eating your Wheaties!

Do mean with others? Not for me, but I’d love to see that change.

I don’t have an OP-1 but have put together various “groove boxes” for the same purpose. The plumbutter was the closest I came to something self-contained that inspired play. In the end, I passed it on since I felt like I was a bit too much exploring Peter’s strange sonic world than my own but I do miss the intimacy and liveness of it. Neat that the OP-1 runs on a battery. Awesome for mountain-top jams. Loved my Tetrax for that!

IMG_4332.jpg1958×2611 2.28 MB

I love this theme and totally agree! All the more reason it would be great to weave more play into the work-day. (Bonus points for being a good alternative to whittling away spare moments on social media.)

Thanks a million for all the recommendations (And @Random too!) To be honest I’ve totally written off iOS for music making despite knowing one of the Oly Noise folks and good initial impressions of Patterning. Maybe I should revisit.

Cheers!

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#34

Just remembered another one I keep meaning to try. Live coding of music with JavaScript on the iPad.

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#35

Yeah, I meant kind of a lunch jam thing.

We’ve done that a few times but it isn’t normal and we had to take it outside, but hey, sitting under a tree with a guitar… can’t be beat.

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#36

Interesting you feel that way. I’ve only had my PB for a couple of months, but I feel you could make it your own given its endless possibilities.

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#37

I loved it and in fact had one twice (both v1) and while at times I felt too much like it was playing me I think that was partly lack of imagination. To be honest, my passing it on was primarily about setting and sticking to goals around focus. All things being equal, I’d love to have all of his instruments handy on a whim and would never hesitate to recommend any of Peter’s instruments to anyone.

How’re you getting on with yours? A v2? I tried one once and found it actually a bit easier to tame. Anyway, yeah, hope you’re having fun!