Really nothing crazy…,and well the harpsi wasnt that great, more like tried to find sweet spots from where to move on. Probably should make notes next time.
Basically most of em had Gates or other cv to Intone (sometimes to curve) 3 individual outs of changing order. Always re patching to see if in one „chord“ it sounds off/weird to try other voice combinations…often a patch that wont sound nice will work in a different output combination. I think with more than 3 it gets more difficult. 2 works great. If in this repatching voices habit you really easily come accros organlike artifacts. Quite convincing in terms of transistor organs for me. Much better than many cheesy synth organs from the 70s
If you have a good (worked with bassy sounds for me) „chord“ with intone on max, than (i think the gate from v/oct source) into intone and dial intone back to around 11 o clock you get the defined bass of intone at max earlier plus the chords of higher notes (from for example the upper 3 outs)
No chance without attenuator/mixer.
And this is noway a tutorial as its possible i do some things very idiotic and still find my sounds while a better understanding of the module would for example archieve the same with less.