Typical uses for myself are generally a combination of the following: non-resonant mixer for Just Friends / multiple voices, “complex oscillator” carrier as @alanza mentioned, inserted into the effects loop of one (or multiple!) channels of a delay, sine wave oscillator with optional FM, pinging percussion source, in between a modulator and carrier in an FM patch to prevent crazy tonal offsets…
These are things you can do with most filters but the flexibility of the ins + outs offer up a lot of options, sometimes simultaneously, that can be useful depending on the context of the patch. To be honest it’s not always my favorite sounding filter but the ability to almost always compliment my patch with the pair is pretty great.