#133

That’s the standard design, you can expand it to as many potentiometers as you want.
You can take any standard-opamp you want, TL074 for example. That’s ok for audio frequencies. There are also types with less noise, NE5532 for example. But I don’t think noise is a problem here. Anyway, even the better ones cost less than 1€
These are the standard for most synth design you’ll find in the internet.
The secret of logarithmic are the 15k resistors. They simulate a logarithmic curve. Look at the lower left corner of the schematic.

3 Likes
#135

Per forum rules, the group buy discussion has been moved to the Potential Group Buys thread in Trade. If anyone else in the EU is interested in this 6x6 stereo mixer idea, please join the discussion over here :slight_smile:

https://llllllll.co/t/potential-group-buys/28751/15

#144

Hi!

One question regarding Matrix Mixers … Has anyone tried out the Doepfer A-138M? I would like to buy it, but first there’s one thing I would like to know about it … Let me explain …

I have right now the SSR Labs Matrix mixer, which uses the Sinthy style of pins to route the signal. But there’s one problem that I don’t know if it’s shared by all types of matrix mixers or not. To simplify things let’s say that:

  • I have 4 inputs (1, 2, 3 and 4) and 4 outputs (A, B, C and D).

  • I connect 1 with A, I get input 1 in output A … Correct!

  • I also connect 2 with A, so I get 1+2 in output A. Correct! But …

  • If I connect the 1 with D, I get 1+2 in output D, as they are linked in last step so the share some connection.

Is that normal? Is something to expect in all matrix mixers, or do the have some king of system to avoid the signal to go backwards?

And one more thing … In the SSR LAbs inputs and outputs are labeled as this, but you can actually plug inputs in the outputs as the routing seems to just connect them. By doing so, as they are connected, I get some strange behaviour in the Teletype lights as some voltages are going backwards inside the inputs jacks … I don’t know if it’s clear enough … Sorry for my english …

#145

I love my A-138m! And it does not behave the way you’re describing…

(edit: more knowledgeable response below :slight_smile: A-138m is an active mixer!)

#146

The SSR uses a switch array IC and I can’t say without seeing the pcb or a schematic but I’m guessing given its depth/construction, thats it - no additional op amps or anything in the signal flow. According to their site “This matrix has onboard 16 bi-directional “Row” IOs enumerated with digits, and 8 bi-directional “Columns” IOs enumerated with letters.” This is basically a way of saying its a passive matrix. Any passive matrix will behave in this way, however active ones will not.

3 Likes
#147

Yes, I think I’m going for the A-138M … The bidirectional behaviour of the SSR LABS is something I did not expect. When I saw the lights of the trigger in the Teletype blinking when there was a connection between inputs and outputs I started to worry about this. And when you use it with audio signals the leds creates some kind of high pitched noise in the output, so right now is a pretty useless module. I should had taken more time reading about this module before buying it.

Anyway, let’s go for the A-138M. I want to use it with audio feedbacks but also with CV’s …

1 Like
#148

One nice thing about the 138m is that the pots can be polarizers and one row can be offsets. Very useful features that some other matrix mixers lack. Combine it with a switch and it’s pretty easy to make a sequencer out of it.

3 Likes
#149

Just picked up this little guy and am really liking it!

This thing is super fun to use in conjunction with a phase modulator (or LFO capable of generating multiple, phase offset waves), especially for mixing gate signals and generating wonky rhythms. I’ve been using it with my batumi:

  • patch multiple phase offset square waves into the inputs of the mix 04
  • patch multiple phase offset sin waves into the cv/level inputs of the mix 04’s A channel
  • use the output of channel A to trigger a drum module, or ping a filter

Result with my cwejman res-4:

9 Likes
#150

Very nice! Enjoyed Listening to that

1 Like
#151

FSS’ new stand-alone pin-matrix mixer looks quite lovely.

http://futuresoundsystems.co.uk/mtx8.html

7 Likes
#153

Dear matrixheads of Lines,
I just came into possession of a Nonlinearcircuits Clump to try out. This is my first experience of a matrix mixer. I have had trouble in the past with grasping the potential especially of open-ended modules, and this one is proving such a challenge. It is a huge module (and all the better for it) and I face the bitter prospect of passing on the purchase unless I can see a way of working it in to pretty much every patch, and of not missing what will have to be foregone to squeeze it into the rack.

For anyone unfamiliar with Clump, here are its core features: 4x4 channels, a gain pot/VCA on every node, on/invert/off switches on each input.

Would any of you matrix-savvy folk like to let me know if my below list of brainstorm’d applications is missing anything useful or novel?

  • Mundane manual or CV-controlled audio mixing, various channel combinations
  • CV mixing ranging from simple to elaborate
  • Bunch of VCAs
  • Send-return patching, dry/wet patching
  • Ring-modulation array
  • Feedback patching
  • Using gates, up to four discrete four-step sequencers
  • A very, very large 1-to-4 multiple

Capable of multiple such functions simultaneously, right? Thanks in advance for any suggestions.

2 Likes
#154

Feedback patching is the holy grail of ideas here. Years of amazing explorations in front of you.

6 Likes
#155

Thank you! That’s where I’ll focus my efforts. Other than sticking a filter into a delay it’s a new idea for me.