on the surface this is computery. but really itās so narrowly purposed that it feels totally at home in a modular rack. i think of it as an algorithmic sequencer and composition interface-- something i can use instead of a piano-midi-keyboard or normal step sequencer to play oscillators/etc. the thing powers up absolutely immediately and runs without the keyboard, so it could be used for solely precomposition, and never touch a keyboard in performance.
for me the reason this makes sense to live in modular is that there are great sounds sources and filters etc available in hardware. i like patch-ability. but as it stands, event-creation in eurorack is straight up boring. sure, there are rhythm generators and note sequencers or you can use a midi interface, but those are pretty tried, true, and tired. the tele allows for much more complex/nuanced/dynamic/evolving event generation, which can be turned into music.
also-- the things about computers that are creatively interruptive are things like soundcard setup, midi routing, huge project management, bad UI, unstable software, and the inherent distraction of having a web browser. teletype has none of these. itās like having a terminal from the 80ās. itās absolutely defined and very useful.
the keyboard is remarkably nice. itās basically an apple ripoff. same key height and tiny footprint. i donāt think anyone will be disappointed once experiencing it-- or seeing a full photo of the setup. it basically matches the height/size of the aluminum 128.
modular in computer, you mean max?
i loosely call this ālive codeā because the syntax is radically simplified compared to ācode.ā