Oh yeah, that too! I just meant performance-wise.

after party tonight with me, nick hook, and great locals slums, treee city and lady fingers if anyone wants to come - 12:30 to 3:30am upstairs at 305 e chapel hill street. password is apparently ‘we want Oprah’ for some reason. come say hi!

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I mean, who…doesn’t want Oprah? I guess?

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That was ridiculous. #richarddevine

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everytime i listen to her work i always find myself thinking of Terry Riley and i wonder what her take on Riley’s earlier work is. This leads me to another thought. Have you all noticed that current electro/modular artists are putting out three and sometimes four records a year? I mean it must be super nice to get that work out there but i wonder is this just labels cashing in on their popularity and that of the vinyl rejuvenation or do they really have 5 albums of work each year to release? Again maybe i am being a curmudgeon and was raised with the one album a year vibe and of course technology has changed enabling more releases but in my old fashioned artist mentality it kind of removes some of the intrigue related to it

John Hopkins Live. I love the man’s music, but just playing your record with some visuals is not engaging. Sorry.

Caterina Barbieri. Loved it. Kind of the simplistic, beautiful counterpoint to Author and Punisher. A little too minimal after a while. Pretty much just arpeggios with one or two voices. But much more performative and really well done. Classy and good vibes.

Jealous. Hope to make it one year.

Some people are prolific and less precious. Others choose to heavily curate a release. Also, if you can subsist on your creative earnings, that gives you significantly more time to do that work. It also changes the stakes and your drives significantly. The subject for another thread! /endhijack

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Each year I come away SuperBooth regretting missing seeing something. This year it was Caterina Barbieri.

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How did you feel about emptyset?

LOUD. :slight_smile:

anyone know if mots is getting moved on account of the rain?

I would guess. I saw them setting up some gear in the cage area just east(?) of Full Frame (uphill)

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You can watch it back on Schneider’s Vimeo channel. It was a beautiful but short set. Saw her last weekend in London at the Barbican too and she was magnificent and completely live, with all the real tension and risks of actually performing live, compared to others relying on a backing tape

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LOL. Volume was definitely part of the aesthetic.

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i’m wandering around in a tie dye shirt and pixar hat, feel free to say hi if you see me!

Thanks Robin. I hadn’t spotted that. I would have loved to get over to London for the gig.

Caterina Barbieri presenting FRAP TOOLS @SUPERBOOTH18

:slight_smile:

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spinning at parts & labor 12-1:30am, come say hi

This was worth the entire trip:

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