Some people are prolific and less precious. Others choose to heavily curate a release. Also, if you can subsist on your creative earnings, that gives you significantly more time to do that work. It also changes the stakes and your drives significantly. The subject for another thread! /endhijack

1 Like

Each year I come away SuperBooth regretting missing seeing something. This year it was Caterina Barbieri.

1 Like

How did you feel about emptyset?

LOUD. :slight_smile:

anyone know if mots is getting moved on account of the rain?

I would guess. I saw them setting up some gear in the cage area just east(?) of Full Frame (uphill)

1 Like

You can watch it back on Schneider’s Vimeo channel. It was a beautiful but short set. Saw her last weekend in London at the Barbican too and she was magnificent and completely live, with all the real tension and risks of actually performing live, compared to others relying on a backing tape

3 Likes

LOL. Volume was definitely part of the aesthetic.

1 Like

i’m wandering around in a tie dye shirt and pixar hat, feel free to say hi if you see me!

Thanks Robin. I hadn’t spotted that. I would have loved to get over to London for the gig.

Caterina Barbieri presenting FRAP TOOLS @SUPERBOOTH18

:slight_smile:

1 Like

spinning at parts & labor 12-1:30am, come say hi

This was worth the entire trip:

1 Like

anyone else catch that jenny hval set?!?! unreal.

1 Like

Yes!!! Such an incredible performance from start to finish

20 chars of very jealous!

She was great at cafe OTO. Then again, isn’t everything great at cafe OTO?

I think my feet are broken.

1 Like