SOS attenuates the input (small knob), Morph and Organize are summed with the input (medium knobs). This shorthand is used on most Make Noise modules, except for ones with little real estate that require more small knobs to be used (like X-PAN).

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No problem I sold my morphagene…

I made a semi-elegant solution for the ā€˜green favoring’ issue:

My problem is that I don’t want to have the ability to accidentally bump the pitch knob and send it away from green, then have to hunt for green in a performance or while I’m recording something. With the help of some other modules I can now have the pitch knob jacked to one end and the cv input attenuator jack to another, this eliminates any chance of bumping it while playing the Morphagene.

What I did is send a static voltage from Stages in orange mode of a stage, to a passive attenuator, then into the Morphagene pitch input. With the static voltage all the way up on Stages, and the pitch and cv attenuator knobs fully clockwise and counterclockwise, the only variable to select voltage is the external attenuator. You don’t need the attenuator, but Stages is also touchy and easy to bump while playing as well. The attenuator I have, SSF/WMD, has really solid pots that have some resistance to turning, AND I removed the pot knob, to make it more difficult to accidentally move. You can use any voltage source for this, Maths works, but again, I move around alot in Maths and I also find it easy to bump.

As an added bonus, with Stages, when you move the attenuator fader all the way to zero, the pitch on the Morphagen moves to blue, which is one octave up. AND, when when you flip the pitch knob on the Morphagene all the way to the left, you get one octave up in reverse. So I have 3 easily attainable presets now.

I’m thinking of building a really simple module, with a 4 position switch, 4 inputs, 4 pots, and 1 output to create a simple voltage storage selection module. My electronics skills are limited to modding guitar pedals and tube amps, so it would be pretty primitive, but I think it would work.

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Neat solution. If you have teletype you can use that to send precise voltages to jump to particular speeds. Or if you have a disting I’m pretty sure you can get a fixed reference voltage out a number of ways. (One way would be to ā€œrecordā€ different voltages to the SD card and then play them back out - this way you can select different speeds simply by turning the dial on the disting to select different files to play back.)

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Oh yeah, someone had mentioned that above about the Disting. Yeah many ways to do this. Could use Pressure Points as well too, but I like using it for other things in a patch usually.

I’m glad you found a solution to your problem. I need to say though I haven’t accidentally touched the pitch knob at any moment in more than 2 years playing with the Morphagene. So for me this problem is non existant and I don’t understand why it’s such an issue for some people. The module is an amazing design and ergonomics are brilliant.

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been meaning to try this!

Yeah I dunno? Maybe I have fat fingers? lol
All I know is another guy I play with just got a Morphagene as well and he was complaining of the same thing. I’m a guitar player and he’s a drummer and we’ve both been playing and touring in rock bands for like 20+ years so maybe our tolerance for gear that is touchy like that is much lower. Other than that, I don’t know what to say but it happens.

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The reason the pitch knob doesn’t work as expected is because it is not a pitch knob.

The control is called vari-speed bi-polar panel control and its purpose is ā€œManual bipolar speed and direction control’, per the manual.

There’s an S on the left side, for ā€œslowā€ and an F on the right for fast.

Morphagene is about manipulation of time. I’m not just writing that because I wish it to be that way, that is the way it is. It’s not Clouds, it’s not the Instruro thing, or any of the other things folks keep mentioning. It’s Morphagene, and it’s freaking rad at being Morphagene.

I’m not trying to be rude, it’s been driving me crazy seeing it repeatedly referred to as the pitch knob and it just seems like a bunch of you should consider another module, which is a totally fine and ok thing.

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I get this, but it is possible that people do actually find alternate use cases for instruments aside from their intended design purpose. The fact of the matter is, if you want to stay within the case, there are still very few options out there for granular looping. I could go pick up a Red Panda Particle or a Chase Bliss Mood, or not have sold the Zoia that I had, but I like the interactivity that eurorack has with cv control of other modules. I’m a guitar player coming from a bunch of post-rock looping bands… that is my mindset. I appreciate Stockhausen, but that’s not my main reference point here. Morphagene has gotten the closest to what I need to what I’m looking for. It sounds less sterile than the Nebulae and isn’t buggy, and is less cryptic and less dirty sounding than Clouds.

But… I pre-ordered the Arbhar today because after watching a demo I think that is going to be closest to what I’m looking for.

I totally respect, appreciate and relate to that. Hopefully the Arbhar works out. I have Morph, a uBurst and a dual looping delay. They’re a super fun trio. Morph is just one of the coolest things I’ve ever owned. It just let’s me get completely immersed in sound, it feels more like exploring sometimes.

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Yeah, I love the Morph too. I’m just playing some shows in rock clubs with this stuff still, I’ve had a few anxiety filled sound checks trying to get everything working, so I’m always on the lookout for solutions that gives me creative control as well as easily repeatable results, so I can work towards eliminating the worry and focus on playing.

If I can afford to keep both, I will. I think Morphagene is a truly classic piece of gear.

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Updated the firmware on my Morphagene which has made it so much better for setting input level and doing SOS! Really happy with that.

However I’m having some issues with some unwanted noise that appears to be a glitch. It only happens when I’m recording with the morph control turned up, where I get digital noise and distortion that is also recorded with my input signal. Anyone else experiencing this? Thought I’d flag it with you too, @walker

I decided to actually cancel my pre-order for the Arbhar, and keep working with the Morphagene. I feel like I tend to jump ship with just buying something new too quickly. I also realized that there’s a whole of granular stuff happening in iOS that I want to investigate.

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Here’s a helpful ratio table

https://d2vlcm61l7u1fs.cloudfront.net/media%2F6b8%2F6b8edf86-da3b-4c8d-8f30-2be52c47a91a%2Fimage

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Mine was behaving strangely after upgrading too.

I think it’s better after switching the grain smooth option to 1. But I need more time to really figure out what is going on…

This is half and half a Morphagene question and a recording technique question. I’m working on making material for reels by recording audio into Reaper, doing some editing, and rendering per the instructions in the MG manual. In Reaper, all of my levels sound fine, but once I’m playing the audio back in the Morphagene everything sounds very quiet. I have a feeling this might be a case of ā€œcan’t offer help without seeing exactly what you’re doingā€, but I’d appreciate any tips you all might have!

Why not import the audio straight into the Morphagene? That way you can immediately check if you have the right volume. If you don’t wanna do that: send your audio into a pre-amp (it could be a mixer or even an input module like Ears) and then into Morphagene.

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ā€œsoundā€. how do they measure?
you’ve probably done this but once you’re just playing, the SOS knob should be all the way to the right.

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That’s not a bad idea! Record straight into Morphagene, edit in Reaper, back into Morphagene, I’ll have to do some experimenting with that today.