Agree, although

someone should totally make this.

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Totally! I’d go even further and say a pedal steel mpe controller. Per string midi tracking on guitars have come a long way.

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Omg the inventor is INCREDIBLY goofy and charming. The buttons look like gumdrops.

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Fair enough, but I have the need to slide. I wish the entrepreneurs luck.

I feel like Sensel Morph with Buchla Thunder Overlay is a pretty decent compromise between these two modalities (continuous vs non-continuous): there are the clear demarcations of different notes which you can see as well as feel while playing. The scales for those notes can be whatever you choose with simple configuration, and you can also switch between different custom scales you configure with a quick button press. But you can also slide off of the demarcated notes if you feel like it. They’re more of a suggestion than locking you into particular non-continuous or quantized playing. You can see this demonstrated in this example of a polyphonic arpeggio patch being played.

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Don’t be surprised if Roly Seaboard takes that from you for their next 3 million dollars marketting campain.

“Seaboard next : can you feel it? The Need to Slide. Redefining sound.” (it’s important to add that it’s redefining a broad physical and philosophical concept at the end otherwise it’s not really a new hardware)

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Sadly, every part of that would surprise me, very much.

Nice und skveeshy. :slight_smile: :upside_down_face:

This is another one of those instances where the actual tactile response of the keys will make or break the entire instrument. I worry a little bit about the rubber dome with XYZ movement; the Joué has those in its Bubbles module and others, and they can be a bit fiddly to get used to. If the tracking is reliable and reproducible and the keys are relatively sturdy and the tactile cues they mention work for telling you where X and Y are, then it looks quite appealing.

I like skveeshy, and right now the only real option out there for skveeshy is ROLI, which is a hard pass for me personally.

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I’ve preordered an osmosis quite early. I had a continuumini and I still own a small seaboard although probably not for long. So far the continuum has felt as the best of the bunch and very expressive and fun. The mini was too small for my fingers but my biggest issue was with the Eagan matrix. I just didn’t click with that interface and especially in a high resolution screen it was brutal on my eyesight, getting older probably has something to do with it :slight_smile: I like the seaboard, very well made but again I don’t like the software engine that comes with it (meaning the sound engine) and in all honestly I only found it useful with kyma, where I have the flexibility to route, smooth values, without opening something like max and spending hours to configure the dsp side of it as well. Generally I find that using simpler sound sources or minimal processing chains with these controllers works best. It is not perfect though, and I wonder if I a more “in love” with the idea of the roli than the actual keyboard. Because of the edges of the black keys, it is not always easy to slide from the top of the keyboard…Anyway, I was searching for an fh-2 review, after watching synth diy guy’s excellent video using it the fh2 with the linnstrument, but i am perhaps leaning more to mdoudoroff’s point of view about mpe. I also have a small modular system to actually benefit from the polyphony along mpe’s exressiveness.

When will the Osmose (it’s funny how every English speaking personne I know just never say the actual name which is in French ahah) be shipped? I must admit it made le very envious which I didn’t expect.

Well for us Greeks it is more complicated than that being a Greek word :slight_smile: But more importantly being a universal term in physics/chemistry one might end up “quantizing” it in his dialect! Summer was I believe the initial plan, but with covid19, it is not clear.

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Hi
I got a sensel morph last year but with so much other stuff going on i gave it to my nephew who loved the thing. Well they released an external that makes it really easy to use with Pure Data and i am going to see how it plays with NRNs next

Anyone else got one?
here’s a super alpha demo of a spectral morphing drum thing

and ye olde code shoppe

DEKEN REQUIREMENTS
SOUNDHACK
SENSEL
FREEVERB

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The Matrix interface is a brutal problem. Haken is clearly aware of it, and is working on a replacement, but things move slowly and deliberately at Haken. I gather they have to rebuild the entire UI system from scratch, so it’s a non-trivial project. I wonder whether they plan to mostly recreate what they had with rescalable GUI elements, or if they’re rethinking everything.

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No lie. I don’t care how good it sounds, at my age I simply can’t deal with a UI like that any more. I am going to sell my Osmose before I ever play a note on it, simply because I can’t work with EaganMatrix in its current form… I found that out in my brief fling with the Mini…

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Interesting that people don’t get along with the Eaganmatrix interface - it’s actually the feature of my Continuum I am enjoying the most at the moment. I think the only thing I constantly wish it featured was an “Undo/Redo” function when messing around in the formulae.

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The functional design of the interface isn’t the problem for me, it’s that it renders too small on high PPI screens. Has to do with how it was originally implemented.

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has anyone here played both the seaboard rise and grand models?

toying with upgrading to one or the other from my current block—was wondering if there’s a tangible difference to the action, responsiveness, build quality, and so on?

would very much appreciate a review

I bought a grand when they were fairly new. They were partially handmade, not quite as mass produced as the rise. This was reflected in the cost, and if my experience was any indication, also in the build quality, but in a negative way. I had to carefully package up and ship my multi-thousand dollar instrument from California to London to get a stuck note issue fixed, and when I received it back, the problem resurfaced after just a couple of weeks. I packaged and shipped it for a second time and then requested a refund. Roli was kind enough to refund the entire purchase price. I’ve never looked twice at Roli hardware since.

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exactly the answer i needed—i’ll try for a new rise and see about extending the warranty

thanks!

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It’s a good call. I also have the subjective opinion that 88 or even 73 is a bit overkill with a seaboard. You’re not likely to playing Liszt with both hands across seven octaves. You’d use a piano for that.