https://soundcloud.com/richardfair/drifting-back-disquiet0264
For this piece I wanted to create something that begins simply - just four notes on the Hypermorph pack on Ableton Live. I added four drum hits to represent a ticking clock.
From here I switched over to Audacity.
The original track was about 10 seconds. I used the Paulstretch effect at 10.0/0.2 which took the track to around 1 minute 13.
Next I added some Sliding Time Scale/Pitch Shift to the last thirty seconds 99 down to -90.
I copied this track and reversed it overlaying so that the complete duration came out just under 2 minutes. Finally I added the original track at the start, reversed at the end.

I stretched the track even further to 20 minutes - I actually prefer this recording. A bit long for Disquiet!
https://soundcloud.com/richardfair/drifting-back-extended-mix

5 Likes

Music for Time Travelers (Disquiet Junto Project 0264)
Record a piece of music that plays with the perception of time.
https://soundcloud.com/daniel-diaz/fragmented-time-lapse-disquiet0264
Step 1: Recorded music is, generally speaking, a fixed object. It’s a document. It proceeds linearly, over time. It is, in the terminology of fine art, “time-based.” That said, music has the power to change one’s perception of time. Slowing and speeding tempo alone can alter a listener’s understanding of what is happening. Backward masking, sublimated hints of themes yet to come, the sound of a tape in fast forward mode — those are just a few ways that a composer can suggest that time is not moving linearly. Now, consider for a moment the tools available to give an impression of time doing things other than proceeding in a steady forward motion.
Step 2: Record a short piece of music that takes time travel as its theme, using ideas that resulted from the consideration in Step 1.
I’m not sure if this arpegiator synth meets acoustic string section does deliver in this week’s junto idea: time travel, but I went for a musical time lapse idea, fast hysteric synths and soft expressive strings that seems to come from a different “time” ie a much slower paced tune, so there’s this feeling of being in a place beyond our normal space-time. Harmonic shifts also seem to be a bit out of logical tonal flow.
Hope you like it, cheers
dd

4 Likes

Here’s my modest contribution to this cult:
https://soundcloud.com/claudelebelge/travelling-tempo-disquiet0264

Hi,

For this weeks Junto, I took some samples from UCLA Phonetics lab, so I went way back in time. The oldest sample from 1964(If I remember correctly), I added some singing of my friends son(all the way from Belgium to Indo… so the sample traveled 6 hours further in time) and some other sounds were added also. Amongst other, the song contains Apache language.(I don’t think many people still speak this), so it’s a nice document for the future

https://soundcloud.com/user-242143924/end-of-tapedisquiet0264

Take care

Edit: I am not so sure if it’s music for time travelers :slight_smile:

5 Likes

https://soundcloud.com/everythingdies/blink-disquiet0264

It seemed obvious to me that the way to go about this was to start with Orbital’s The Möebius. I’ve been playing with tape loops in the last few days, which was fitting.

3 Likes

here is my travel report of this weekends excursion.
https://soundcloud.com/rudzupuke/the-fastest-way-to-travel-is-by-candlelight-disquiet0264

4 Likes

https://soundcloud.com/337is/rhyme-ravel-disquiet0264

I’ve been snakebitten creatively since before American Thanksgiving. This is the first new work I’ve been able to complete since 12/07/16. Nearly a month gone in 2017 and nothing to show for it. Incredibly disheartening. I’d love to be able to time travel to a time when my creativity flows more freely.

This piece starts with a ticking clock which is immediately stopped indicating that the passage of time has changed. I approach a buffer of this sound created by the Synchrodyne and coax it back and forth in a very tape sort of fashion. I can only represent this to you linearly. I wish I could present it more as a hole one could fall through.

3 Likes

https://soundcloud.com/ohm-research/temporeal-disquiet-0264

This is an audio imagining of being stuck in a rift in time-- caught in the eye of a time storm. What is heard is a modular patch involving primarily a Mutable Instruments Rings, being triggered by a Music Thing Modular Mikrophonie and also processing the ambient room sound passing through the Mikrophonie, then passing through a Mutable Instruments Clouds. Various aspects of the sound are modulated by a Mutable Instruments Tides, with bit of sample and hold routed to the input of the Mikrophonie.

3 Likes

https://soundcloud.com/soundinett/the-enjoyment-of-certidude-disquiet0264

Time Considered as a Helix of Semi-Precious Stone (Samuel R. Delany)

Yesterdays Aldous Huxley on a Present state, the sound of Tomorrows electronic machines evolving. a moment of time
Words by Aldous Huxley: Technology to control human behaviour
https://www.youtube.com/watch?v=ad-UnkacS_k&list=FLFNIVeJ588cdo-aHXiKrTDA

1 Like

https://soundcloud.com/zedkah/back-to-weena-disquiet0264-time-travel

Back to Weena [disquiet0264- Time Travel]

“In the 1960, film version, The name “George” was given to the time traveller. Travelling through different times, George reaches AD 802701 where he finds a girl drowning in the shallow, and the Elois are indifferent. He rescues her and comes to know her name – Weena. Unlike the novel, George does not leave Weena dead. He rescues the Elois and Weena and eventually returns to the future to be reunited with her. Weena was played by Yvette Mimieux.” (wikipedia abridged)

Track made in Pro tools 11 using the in-house drum and organ. Lots of subtle tempo changes and loops slightly off from the beat. used the elastic audio in both the rhythm and varispeed mode. The time machine is depicted as a mechanical device with rotating discs and this is in part why I used overlayed fast clicking rhythms. A small school choir sample loops through the second half subject to filter sweeps out of synch with the loop length.

I did struggle with the mix and capturing that odd dislocating time feeling. I feel that the last minute was the most successful.

1 Like

https://soundcloud.com/triermusic/teapot-confessional-disquiet0264

I’ve spent a lot of time thinking about how to add a sense of steady forward motion to free improv and noise music. So this composition challenge made me rethink my normal approach (always a good thing!).

I took a sound with a clear beginning and end: a teapot boiling. When I was doing a lot of free improvisation and noise music I liked experimenting with limiting time constraints based on the durations of mundane processes–including a boiling teapot. The recording was much longer than 2:40, so I use Ableton’s Warp feature to shrink the duration.

Then, I wanted to change this linear process so it appeared unordered and unpredictable. I sliced the recording up into about 64 audio clips, then mapped each one to a different pad on a MIDI controller (I started with a Push, but it was fairly inflexible about each button launching a clip, not a “scene.” So then I dusted off my old Launchpad, which worked perfectly. Sometimes simple tech is better!) I improvised; I tried to highlight the different “tones” of the hiss in the boiling teapot.

It worked…but the track was a bit static and felt very “mono.” To rectify that, I used an audio effects rack in Ableton and set it up so that the appearance of different frequencies would trigger different effects chains. I listened to and watched the track on a spectrometer and took note of sudden appearances or disappearances of frequencies, then gave them their own effects (low sounds were transformed into a grumble, high sounds became shimmering echoes). I panned them left and right to make use of the stereo field.

I also added the Beat Repeat plug-in, with very mild settings and a bit of pitch decay, because I knew that would create a sound opposite to the increasing hiss of the boiling water. It was set to trigger randomly, but it decided to rework the first few seconds of this track, which I think is an artful choice.

The end result is interesting, in my opinion. I’m not sure it stands alone as a piece, but it gave me more tools in my toolbox.

3 Likes

Here’s mine. (I’ll describe my process a bit later.)

Paul

https://soundcloud.com/plusch/stitches-in-time-disquiet0264

3 Likes

Thinking about clocks and such.

https://soundcloud.com/dascott/times-up-disquiet0264

3 Likes

https://soundcloud.com/vgmrmojo/final-1

My concept here is to try and manipulate the two types of time used in music. Rhythm ( whole, half notes etc) and linear time ( minutes, seconds)/

  1. Put a click track on track one at a tempo of 150 BPM

  2. Added three other synth tracks

3.Added two drum/percussion tracks

4.Each track is a different note value for instance:

synth track 1 = whole notes. Synth track 2 half note, percussion track 1 eigth notes, drum track 1 sixteenth notes

  1. All notes are played at random times

  2. One synth track is a continuous pad

7.Added delay and tremolo to selected tracks

Finally the entire composition was slowed down at to separate times at 2 minutes and about 2: 15 seconds

Mastered by Landr for Soundcloud

3 Likes

I like the waviness of the sound

1 Like

https://soundcloud.com/qype-dikir/time-disquiet0264

Had to rush to get it finished before the deadline and then forgot to post it here.

Original idea was to stretch and contract some old sounding vocal recording in various ways to get stay close to the time-related theme, but ended up going another way in the end.

Some drones from the modular as background, a bit of ms20 being looped in the OT and 4 flex machines playing around with the same recording and being looped.

Source audio from this video of the Argentine poet Vicente Luy.

Really enjoyed doing this one and will work further with it.

1 Like

unfortunately i had some heavy issues with my health and did not expect to be able to join this project. so things went better and i thought about the assignment how to accomplish this task.
so i went back in my memories how working has been without any plugins and other “modern” possibilities to create music.
therefor i took a track i made with a friend in 1995.
this track was already released here on SC,but there has´t been that much interest in this track.went back from the doc this morning and heard that Jaky Liebezeit left us on sunday. one of my absolutely favorite musicians. saw CAN at the age of fifteen in a school auditorium,but they security found out about my age,so i was told to leave the concert. short fun for about 45 minutes,but unforgetable
till now.
on this track we used snippets of a track by Can where we made a drum loop from and a snippet from Soft Machine,which features the wonderful organ of Mike Ratledge,treated both snippets so as we thought no body would recognize,haha juvenile levity.
if there are no further disquiet tracks i might be in prison somewhere.

for this track we used : E-max 1+2 ,E-mu Classic Keys,Basstation,Casio MT-120
Korg Poly 800,Roland D-110,Dynacord Spring Reverb,Atari 1040 and a crappy analog Mixer.
so sorry for some less hifi sounding track.
hope you enjoy this time travel.

Disquiet Junto Project 0264: Time Travel
Record a piece of music that plays with the perception of time.

https://soundcloud.com/wust/softer-a-tribute-to-jaky-liebezeit-rip-disquiet0264

2 Likes

Ironically enough, I didn’t have a lot of time this week, so I took my ‘Year In Sound’ from the other week’s Disquiet as my source material (travelling back in time already!), and played around with stretching, shortening, making massive reverbs, reversed reverbs, repitching, etc… and created a multi-layered piece. My intent was to give a sense of being “out of time”, or in “deep time”.

1 Like

https://soundcloud.com/project-dirigent/motionstasis-disquiet0264

Motion/Stasis [disquiet0264]

Disquiet Junto Project 0264: Time Travel
Record a piece of music that plays with the perception of time.

After trying several ideas I focused on contrasting quick, short, rapidly changing sounds with long, sustained sounds. Juxtaposing rapid change with static sound where time is suspended (motion/stasis). After playing with this for a while I also started incorporating subtle phrasing (accelerando, crescendo) within each of the rapid phrases.

Sound sources:
This was played and recorded in one take (one of many) on my small performance modular synth. The patch consists of a Modcan FMVDO through a Ripples filter (acting as a low pass gate) modulated with short envelopes generated with Maths and triggered with a Wogglebug. I’m “playing” the Wogglebug clock and manually biasing the Maths envelope to sweep the filter and to hold it open.

The sound goes through several delays (further time variation): Echophon with some pitch shifting, Flashback X4 for long delays with a bit of feedback and a Ray Wilson voltage controlled delay.

Recorded with Audacity.

1 Like

Title: nxA20170123234718
Author: Miquel Parera

for Disquiet Junto 0264 - Time Travellers

I used a “relaxed” version of “A Discontinuous Change of Time Perception Caused by Time-shrinking”:

http://www.design.kyushu-u.ac.jp/~ynhome/ENG/Demo/illusions.html#TP

https://soundcloud.com/computermusicneix/nxa20170123234718-disquiet0264