#7

Wonderful ideas of 20 characters!

2 Likes
#8

Now I’ve thought of it - I may have to do it !!! (I have a valve lying around that I’ve used for photography of bouncing water droplets !)

2 Likes
#9

Not sure how you would use this. but a pulsar somewhere in the universe could be another timer source.

8 Likes
#10

Something structured around melting ice (or probably a video of for logistic reasons) might be interesting.

6 Likes
#11

A funnel full of a mix of ice and ball bearings suspended above a tin tray!

7 Likes
#12

Eggs about to hatch, time-lapse photography, ISS orbit, a resurrection plant coming “back to life”, circadian rhythms, heartbeats, water clocks, incense clocks, oil lamp clocks, parking meters

4 Likes
#13

Your kid can make it 25 MINUTES? Teach me your ways, man!

3 Likes
#14

I have no kids, so my meandering can last forever :sunglasses:

3 Likes
#15

you can use human nature as a timer…
keep playing until everyone leaves or falls asleep.

12 Likes
#16

As a long time improvisor, that’s the first skill I mastered lol.

2 Likes
#17

Run your gear off batteries, stop when the power goes out.

5 Likes
#18

At one point I was trying to come up with some alternative oblique strategies…

One was something along the lines of “until it hurts, then keep going”…

I realize that may sound a bit masochistic and possibly dangerous, but it is honestly part of how I learned to play guitar!

3 Likes
#19

You can count the clicks of a Geiger counter, along the lines of Giorgio Sancristoforo’s Radioaktivnost sequencer which uses a USB (or simulated) Geiger counter to advance its clock.

2 Likes
#20

I used to be into making pieces as long that lasted as long as it took a teapot to boil.

Or, alternatively, coffee to brew.

As long as it takes for a cup of something hot to cool?

As long as it takes for a cup of something cold to reach room temperature?

Until you get used to a certain smell.

Until you no longer notice a certain background noise.

For a certain number of breaths

4 Likes
#21

A really long domino run, or Rube Goldberg machine. Or a marble clock:

5 Likes
#22

I like that candle clock idea. If you add three nails, you’ve marked the end of three movements. And then you can ask the audience how many nails to add, or how far apart to space them. It provides rigid structure, without being rigid about what structure it’s adding…

3 Likes
#23

Eat a sandwich.

…

8 Likes
#24

I love this thread, very thought provoking.

I can’t find the video any more, but Wooden Veil performed once while a giant balloon was slowly inflating–from some source that I’m not clear about–and the piece ended when the large balloon exploded.

5 Likes
#25

i’m generally obsessed about time on stage and have used many versions of clocks over the years.

i just recently commissioned a giant double pendulum to take care of some rhythmical duties to the structure of my performance while i do some programming on stage:

likewise, i’ve been using a mic’d euler’s disk to take care of some clock duties recently, though it only lasts for a couple of minutes:

there’s another amazing double pendulum which i can’t really find for sale anywhere that’s realistically affordable:

and something i used for years when i was starting out was a standard alarm clock, just the regular analogue kind with the 2 bells on top which you can wind up. it was great to have 20 of these all set to go off at the same time- set them for, say, 1 hour to create the end of the show. of course they were not very well made so they would all go off at slightly different times and it was a really fun game and good way to get interrupted and know when to stop!

15 Likes
#26

Maybe a light sensor on a sundial, or anywhere you’re expecting a shadow? Or, more visually interesting, a mirror reflecting sunlight onto the wall. What I’m trying to say is that if you’re playing after sunset, I’m not really going to be much help.

3 Likes