I was going to say that. You don’t need two quadratts, and noise tools is handy useful things.
On a train, so typing is hard, but basically +1 to what everyone has said. You have too many sound sources and not enough sound shapers and utilities. And the way to discover what you need there is often incremental - “what this stew needs is”.
I’d also lose Elements and the LIP - they are huge and you don’t have the modulation tools to support them.
I appreciate you don’t want to build “subtractive” voices, so think about this approach - cribbed from Olivier Gillet:
You need a combination of sound sources, sound shapers, modulation sources, amplitude shapers. A sound shaper in the east-coast subtractive model is a filter - but it could also be a folder or resonator or harmonic tool. A modulation source is an LFO or envelope… but could also be a function generator. You can shape amplitude with a VCA or an LPG. You still need the building blocks.
And whilst some modules combine this - Mangrove has its own internal VCA - it is useful and, indeed, modular, to be able to decompose them.
One more note from a tiny keyboard: think about UI. The 2HP stuff is really handy and increasingly diverse; it’s also quite fiddly. If the Env is your only envelope - will that get annoying? Will that stop you using it as much as you might?
Finally - I’ll definitely second gettingrg some kind of dual function generator. It will open your eyes to all manner of things faster than anything else.
