yeah, Ive played with using OSC with thing like Bela Salt (and Pepper),
as you say the higher resolution is very useful, it makes it feel more continuous, so closer to cv.
using wifi is great so you don’t need loads of usb cables trailing to the rack.
(I also like using Ableton Link, rather than midi clock for similar reasons)
another thing, Ive done with Bela is use both ethernet and usb network connections for osc,
this might be more suitable in some scenarios, useful for minimising latency/jitter.
mainly, when Ive used OSC its been for control surfaces e.g. the madrona soundplane ‘app’ can transmit osc, rather than midi … its a good example of continuous nature/resolution since pitch is sent as a continuous signal (float) rather than pitch+bend - so was very cool for that.
also its quite easy to create max/pd patches if thats your thing.
I’ve also used it to communicate between various rPI/Organelle, thats quite fun.
(really, this was just an extension of Link, just not restricted to sync)
also, I guess on iOS theres are a plethora of apps e.g. i used lemur as a control surface for a bit of fun,
but I’m not really invested in iOS at the moment, so not something Ive done much with.
of course, support for midi is more prolific… so it still has a major role.
perhaps one day midi 2.0 and rtpmidi will be more widespread, then I guess the gap between osc and midi will be less - but until then I think OSC is very useful.
anyway… i like using both wifi/networking and osc.
I think you just have to be a bit careful if your not a ‘developer’ that you ‘applications’ that can generate the osc in a way thats useful to you.
note: I do kind of wish I’d bought a 2.4sink during KS(?), since my Bela inevitably is used for other things… and is quite a bit bigger than the 2.4sink.