Oof, I wish I had enough confidence around what I’ve been making recently share sounds (maybe I’ll try and make something up tonight…?), but I can share just two basic ideas I enjoy; one is using quartermane as slow as possible on each voice coming down the line and the final being on one of my end effects chains/mixers where everything meets. It allows for very calm movement that then intersects at the signal meeting point. I’ve found it actually helps me mix all the different signals.
The next is using the copiermachine to drive a voice and then slam effects, preferably ones with v/oct like the Morphagene and mimeophon with the delayed shift register. This is REALLY cool, because the effects pitch matches the note previous. It’s a bonkers vibe and one that can be really fun. The other is actually to have multiple voices With different wave forms (from the Teletype TXo) Through cold Mac, I then have the shift register come through on that, so each following note is a different wave form. And this ends up being fun because specific areas of the scale are going to be a specific sound. If there’s glide on the mixer signal, this is even better, since it almost becomes a pitch effected wavetable modulator, if that makes sense. Basically, I really enjoy using the Copiermachine across multiple CV signals. I hope that makes sense… those are just two ideas I’ve played with recently.
I get embarrassed with the expertise around here and how I measure up, so I hope my explanations aren’t too simple!!
