Count me in the “wasn’t into Ornaments&Crimes but really like Hemisphere Suite” crowd.
I got it originally for Piqued, as a replacement for Peaks. It was powerful but fiddly IMHO, and I gave it up for analog envelopes. I wasn’t using any of the other apps enough to justify 14HP.
A lot of it is oriented to particular areas of generative music that are outside my radius of interest. For a while I was never using a quantizer for anything – in fact I was combining gates in a mixer for unquantized, freely tunable intervals, and then sequencing those gates (algorithmically or via MIDI).
And now I’ve got Marbles, Stages, Teletype, G8, Bin Seq, Mimetic Digitalis, Maze, and Hemisphere apps, plus MIDI, and that’s quite the toolset whether I’m doing linear or pattern-based sequencing, Cartesian, algorithmic or (more often) some combination of them.
I’ve honestly never gotten the appeal of quadrature LFOs. I could build a triangle or ramp version in Teletype easily enough, or I could use CV delays; I could use my E370 in phase mode with all four VCOs set to the same frequency source. Usually I’d rather just use unsynched LFOs, or modulation sequencing, instead.
Just about everything Ornament & Crime can do that I am interested in, I can cover more easily and/or more fully elsewhere.
I’m not saying O&C isn’t powerful or cool; certainly a lot of people find it useful. But it’s not universal.
I’m almost always going to have room for one or more of the apps in Hemisphere Suite – in fact I’ve already built a patch where I wish I had another one to run 3 or 4 apps side by side.instead of two 