What’s interesting is that I may be able to kill two birds with one stone here – the “Lo-Fi” setting on the Delay pedal could be pulled into its own pedal (and made more expressive / customizable), and then you could route delay through it just like any other pedal. That said, I’ll have to think for a while about how to best do this – the SuperCollider work isn’t too hard (Delay already uses a generic feedback bus under the hood, so I’d more or less just have to have another pedal send to that bus), but the Lua work (both UI/UX and state management) may be a bit tricky. I’ll put it on the backburner and see if anything springs to mind about how to do it without making everything super complicated under the hood and in the UI.
What pedals are you currently using to simulate it? At what settings? Feel free to set it up, save the pset, then send over a .pset file and I can take a peek if you don’t wanna type it all up 
I’d guess… Drive -> EQ -> Vibrato -> Comp, maybe in a slightly different order? If you try Delay pedal with Lo-Fi on at fully wet (so you’re only hearing the Lo-Fi echo), is that somewhat close? It’s noise -> saturation -> low-pass -> bit-crush -> high-pass & low-pass (so it’s missing the warble and janky compression, but it’s got noise and bitcrush instead). I’m actually hoping to get a lo-fi junky eurorack module sometime in the next few months, but I haven’t realllyyy dug into modeling its sound yet. Should be fun to try!
