Five minutes outta the box, two quick proofs of concept — first as a VCA via the ADDAC mixer on my Eurorack (via an offset, the WMD S.P.O.), and then put to various uses on VCV Rack. Many thanks to @okyeron for the build.

Now I need to upgrade my ER-301, and hook up my TXb.

24 Likes

At first glance I thought the faderbank was built into your laptop’s hand rest area :smiley:

6 Likes

Space bars are so 2018.

8 Likes

If Apple can get rid of eject buttons on floppy drives, second mouse buttons, headphone jacks, USB ports than aren’t C, etc. then why not the spacebar too? :laughing:

4 Likes

Some would argue they are phasing out the space bar by making a laptop keyboard that commonly has a space bar that doesn’t work.

8 Likes

I can’t use non Apple keyboards. Anything else feels like tapping a steam powered piece of iron ore.

They aren’t what they used to be, but I’d not use anything else.

1 Like

Oh them’s fighting words :slight_smile: but not for this thread.

6 Likes

My minimal (and only) setup this month.

27 Likes

In order to really get to know the A4, I threw together this project setup. Had to swap out the Fostex due to some playback issues. But I really dig where this combo leads me.

A4 provides all the sounds while Coco and Fostex are re-sampling/looping them. Then they are rooted back into the A4 for fx.

25 Likes

Can you walk us through that VCA patch? Very curious.

it’s literally: one fader mapped to V/Oct of an oscillator, one mapped to CV of the VCA, oscillator into VCA, VCA into output.

Or, more simply: one fader controls pitch, the other volume. That’s it.

1 Like

I may be doing something wrong, but when using the 16n with my Eurorack I need to employ an offset. Otherwise the zero on the 16n doesn’t correlate with actual silence on my VCA. So,it’s fader -> offset -> VCA.

1 Like

does it correlate with, like, “almost silence”? (There is a thing about how 16n scales that might mean this is the case.)

1 Like

I’m not sure I’d call it “almost silence,” but I mostly listen to ambient music, so my definition of silence may differ from others’. It gets very quiet, but I couldn’t without an offset use the fader to turn off one of the mixer’s five channels.

Did you order or build yours? I recall Michigan Synthworks had some issues with log vs linear faders.

1 Like

I ordered. Are other folks finding that zero on the 16n fader can zero out a VCA? If anyone happens to have an ADDAC802 and a 16n and can test, I’d appreciate it. Thanks.

Here’s my baby setup. The £5 speakers add colour! The Arturia stand will gradually fill up with Eurorack gear, still not sure what. For now though this stuff plus the Norns (ordered) will keep me busy.

6 Likes

My 16n just arrived from @MichiganSynthWorks, it really is a beautiful piece of minimalist design :heart:

11 Likes



I give you the cheap-o-cello!

While looking through Tony Conrad images, I came across his LSD(Long String Drone) instrument and decided that I should just make one for myself. The original (from what I can find) had all three strings tuned to the same note, had a flat bridge and wa played with a guitar slide.

I had this setup that way for a bit, it makes great lap steel tones, but only has 3 strings, it’s weird to fret, and I wanted to give bowing a try. I have tried several heights, shapes, pickup positions, curved top nuts, flat ones, no nut, and my current favorite: the zip tie nut! I can switch between the guitar pickup and a contact mic that is wedged in there.

Having a lot of fun integrating it with voice and modular, building up textural loops with w/ filtered and fedback with 3 sis. Just waiting on an a-177-2 to show so I can set the w/ loop feedback levels/punch in while playing!

50 Likes

Your post made me look up Conrad’s original LSD instrument, which led me to this wonderful essay from an exhibition at the Walker Art Center:

http://walkerart.org/collections/publications/art-expanded/moment-enlightenment-sound-tony-conrad-long-string-drone/

4 Likes