winter techno setup

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Thanks! I’m also excited about this great instrument. Will think about the case.

I’m really curious about this as a DIY project. Is it all through-hole?

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Mostly yes. Only SMC parts are two oscillator chips. Control board is surface mount but with full size elements. An extremely durable design and a joy to build. This instrument will probably outlive our current civilisation and earn us a lot of kudos among whoever comes after.

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How are you liking the MCO? (I assume by the fact that you’ve got 3 you quiet like it :stuck_out_tongue: Does it work well as just an oscillator? How distinct is it in practice from a “simple” analog VCO? And since you’ve got three do you feel it works better in a polyphonic setup?

I think the MCO is an excellent wavetable oscillator! Great as complex input for the Natural gate LPG, or just through a VCA. Excellent to modulate for some variation. It also has a nice PWM function which adds a lot of possibilities. It is quite different from a standard analog VCO, with more complex waveforms. It has a relatively small selection of waveforms (which I like), but they are well curated.

I had one MCO first, then added two more for polyphony with the Elektrofon Klang. My reasoning was that they would be simple to keep in tune, and they are small and relatively inexpensive. I am unexperienced with polyphony, but havent really gelled with them in polyphony yet (have just had 5 ish hours so far). The sound with many of the waveforms has just been a bit “much” so far, and I’m now leaning towards simpler waveforms for this use (which they also can do). But practise may yield better results. Would be happy to hear from people experienced with polyphony.

But really happy with it in monophonic use! I like it more than my E350 which I had two of at one point… but these things are feeling based :-).

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What microphone are you using there?

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Oh wow, how is that double drone commander/ double ct5 setup treating you? Looks dreamy

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awesome now I need one

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It’s probably twice as much fun as I had imagined it would be. I’ve been sitting in front of these for hours now.

Traded one sound-making machine for another:

Quite happy.

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Do you find that elevating the speakers makes a noticeable difference? I’ve always considered it, never really done it other than with stacks of books which probably dampen the sound even more so.

I bought these little specialty stands for my studio monitors a long time ago, but switched to floor stands for those to gain some desk space. Not sure my ears are discerning enough to hear a major difference, but I’d say bass is maybe a little tighter with these stands than if the monitors were just sitting flat on the shelf.

Tape loops experiment with tapedeck, walkman, and effect pedals.

Video-audio version.

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I just purchased this Jaymar toy piano this morning for $25. It sounds amazing. I hope to make some performance videos with it soon!

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it makes a huge difference yeah

The ES-8 is somewhat the heart of my setup, and more lately with the ES-6 expansion am I able to take full advantage of the variety of outputs offered in that 424mkIII 4track. I also use it as an interface to work with VCV Rack, like in using that hardware sequencer to control VCV voices.

I happen to have a littleBits synth kit and found that, with the addition of an audio input module, it works quite well as a dynamic effects unit, particularly with something like that microcassette dictaphone.

I also have an old graphic EQ which I discovered has the ability to pipe through dry and wet signals, allowing me to shape the 424’s stereo mix a bit more while simultaneously preserving it before committing both simultaneously to the digital realm, alongside each of the four discrete unmixed tracks, all simultaneously.

Overall, it’s a pretty boring setup, as my eurorack (yawnorack) lacks any voice of its own, at the moment (besides the two sample outputs on that sequencer). But it’s served as an excellent bridge between the worlds of analog and digital, which was sorely lacking in my repertoire before its assembly.

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