My friend’s high pass filter patch. I love the novelty, diy approach and infinity symbol. Maybe this has been seen before? Still, made me happy

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Working on a new live project:


(And yes, studio is still a giant mess - but we have plans this Spring…)

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I’m so jealous, you have a Pulsar

How do you find the R16? It looks so compact in this photo!

It is compact - much smaller than the newer L12: 375 × 240 × 50 vs. 450 × 280 × 70
It also is lighter, and feels somewhat less sturdy.

It has several downsides, most “fixed” in the L12 I think: Horrible UI (but if you ignore the effects, it isn’t so bad), loses time/date if you don’t keep batteries in it, the combo jacks are stupidly tight for ¼" connectors and I’ve had two go bad (the XLR part still works fine), the fader logic has quirks (you have to move every fader a bit after you turn it on, or channels that look off will be on!).

That said - it has been a steady workhorse: I’ve had it for four years now, taken it to numerous gigs, dropped off a table, banged up, etc… and it still goes on. The 24bit multi-track recordings have been fine with no hitches at all.

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Pisound box is for USB-MIDI host/hub?

The Pisound box is also providing end of chain parametric eq, sweep filters, reverb, and recording. I run the Launchpad Pro Mk3 into it so that some pads can control that processing, the rest of the LP’s MIDI is forwarded to the Pulsar-23.

The LP has 3.5mm MIDI connectors, and those work directly to the Pulsar-23 just fine - but in this set up, it makes sense to go through the Pisound box.

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Fascinating stuff. Are you running your own code for that or is this something off-the-shelf standard?

I’ve built all that up in SuperCollider, running on the RPi. Everything about it is open source and available. My SuperCollider MIDI library is clockwise, and includes the script I use for my current live performance rig, showing you how to have all these effects w/MIDI control from your favorite MIDI knob box - all in RPi! My instructions for both building up a music, headless RPi, and building SuperCollider for it are also on line. All of that is adaptable to using a USB audio interface rather than PiSound - as well as running on other platforms than RPi or Linux (I run the whole set up on my Mac when developing.)

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I’m neck deep in finishing an album but will make a note to come back to this fun project later. Thanks for sharing, always interesting to read about your work.

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Just a small add on to my tape machines arsenal

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Connie

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Love that photo. What are the boxes?

Thanks. Back to front they are Yamaha THR10, Tascam DP006, Haken Audio Continuum Half Size (aka Connie). I’m trying to make an album with just the Connie and the Tascam, so here the THR is just a prop for the recorder.

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Ah cool, can’t wait to hear what you do with it. My cat is named Connie.

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It’s a lovely name. Normally my eldest daughter names my new synths, but I pulled rank here. I would love a Vox Continental also (maybe one day!), but this thing is really beautiful and worthy of the name.

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Sorry for the slow reply.

Nothing really recorded. Exploratory phase and trying to build my familiarity so I can really dip below surface-level zones. I sort of decided to go for it after listening to some Parmegiani and thinking maybe it’d be fun to try to go for a little pseudo-musique concrète box, but obviously using PM synthesis as the foundation. The big liberating aspect of tech from that era is obviously insane, so I’m hoping to couple that with pretty open-ended improv zones as I’ve been listening to a lot of free jazz/skronk over the last few years. So in a way, it’s nothing like musique concrète either.

Anyway, my hope is that I’ll have some stuff I’m satisfied with and assembled by the end of the summer.

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my crow took her sweet time coming to me. but she is here now, scheming her way into the nest.

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I installed this on my DS based on your post. Lot’s of fun!

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