#6635

I LOVE the Delta-V. It’s basically a Maths minus channels two and three in 10hp but with two bonus VCAs. It’s analog, nice and snappy for quick attack, has the switch for one-shot/cycling LFOs, attenuverters for both channels, etc. It also has a link switch to trigger both channels at once which is cool. Really nice build quality as well. I sold my Maths just after getting it and haven’t missed it for a second.

3 Likes
#6636

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75 Likes
#6637

The fit of that top row pleases me to no end :black_heart:

3 Likes
#6638

Imagine don’t have extra 2hp for w/ … :sweat_smile:

4 Likes
#6639

cut a hole in the side of the case and mount the power in the side, voila space for two w/! :slight_smile:

or 1 w/ and 1 2hp mixer

8 Likes
#6640

this is beautiful :slight_smile:

3 Likes
#6641

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Not a big change over the years — nudging the recording process closer toward field recording and not tinkering too much in the DAW has been a big help

13 Likes
#6642

Actually i have not even one side panel mounted… I’d make a hole in the air!
Yesterday I tried to screw uZues perpendicular at the side, which i possible with this FrapTools skiff, but I couldn’t find the right screws and unfortunately (and more important) I have to mix a lil bit the module’s configuration, because the big uZeus condensers have a ‘conflict’ with TT ribbon …

#6643

Make Noise Moog percussion Jambo

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11 Likes
#6644

NEW, HOUSE, NEW STUDIO, NEW LAYOUT!
Still figuring out some details, but i would say pretty much there! *TALKING ABOUT THE LAYOUT

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15 Likes
#6645

Mmm, so tempted! I’ve got a Falistri, which is amazing, but it can also be a really killer Mangrove-ish voice, so I’m really considering swapping out Tides for this and a Sinc Defero.

1 Like
#6646

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3D Immersive Holographic Sound

22 Likes
#6647

Nice setup! Always nice to see other Sirins out in the wild.

Where did you get those white moog-style knobs?

And what’s that box with 16 knobs between the skiff and the other werkstatt?

#6648

Thanks! The Sirin has been getting midi from Norns awake script lately. Really great sounding synth!

I use these from small bear for the werkstatts. There is a set of white knobs in the mail for the latest werkstatt that I couldn’t resist because it was so cheap. Werkstatts were what got me into patchable synths and I have a soft spot for them. The two with the small bear knobs have the gatemod which really makes them more useful to jam with. The trio will have white, cream, and black knobs between them.

It’s a 4x4 passive matrix mixer. It’s made by a fellow named Michael Rucci who sells on ebay/etsy/reverb. Really nice guy and affordable stuff. I would love to get a 8x2 version from him someday!

1 Like
#6649

:smile: this is soo awesome! Easily my favourite monome/WR build I’ve ever seen. I’ll have to look into frap tools PLUS. I tried to create something similar to this with 4ms pods, but honestly I’ve had so many issues. Buyer beware especially with the more shallow 4ms skiffs, def not WR friendly.

#6650

How do you feel about the Hermod + Elektron combo? Do you mostly use it as a MIDI-CV module, or is it your sequencing hub?

#6651

Thanks, you so kind, I love it too ahah!!
Personally I love FrapTools (I’m a biased Italian guy…) they’re products are nuts in many ways in my opinion, at the moment I don’t own not even a FT module actually…
But I have 7 FT boats, which I really love, 3 of them used for a horizontally oriented126hp Make Noise skiff

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and the other 4 boats (the type with the hole on the internal side to let the ribbon power cables to pass through them) are separated at the moment 2 of them are mounted for the system a couple of pics above and the other 2 are empty right now…
I’m planning to buy they’re new black alu side panels by the way.
I’ve never tried or neither see the 4ms pod actually in person eheheh, but I’ve always liked it so much!

12 Likes
#6652

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A pandemic experiment, my friend Dan Gorelick calls this set up “The Monolith.”
I wanted to try using live coding as the main sequencer for hardware synths (I do a lot of pure live coding without any external hardware). There’s a small hidden mac mini computer on the backside I found on Craiglist free hooked up to the CRTs, which used ORCA and Tidal Cycles to control everything.

Everything is mounted on an industrial kitchen shelf cart rescued from a scrap heap repainted white.

The giant synth on the bottom, an Italian GRP A4, was rescued from a recording studio upstate that was going out of business. They said it had never worked and if I could fix it I could take it. Turned out it was just one bad solder that when fixed was all good.

I’ve ended up rethinking The Monolith as currently arranged, haven’t really found the fusion creatively productive, I find myself missing typical hardware controls or just living within a computer live coding. But I learned a ton about what can be found for free out in the world. And about how much fun it is to make Nam June Paik-esque TV sculptures

43 Likes
#6653

Small wood goodness from sigilinstruments into a particle II

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15 Likes
#6654

Tiny Studio Corner winning material for sure!
This tower is super super super nice!
I miss my Vermona so much, I’ve sold it a couple of years ago to buy a guitar pedal ahahah… for real… (anyway, I love that pedal) the two other reasons are: my Vermona was the one without trigger inputs and I told myself that i had tr808/tr606 so I could’ve let go a drum machine and one day I’d re-buying Vermona with trigger inputs eventually… that day still doesn’t come…
GRP and DD are nuts!
Definitely nice sounds (and visuals) out of this tower, tasty!!

3 Likes