#143

i dont have a dog in this hunt but since you asked for a picture:

the devasting moment when i realized the record head must be damaged

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#144

@glia thanks for breaking the cycle.

@laborcamp - didn’t mean to offend, and I don’t think explaining why I, and many others, found it amusing/clever will help the conversation. (EDIT: I also love fart jokes)

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#145

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#146

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#147

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#148

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#149

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#150

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#151

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#152

Is that a contact mic on your macbook, @angel? Nice.

#153

A phone pickup coil, right.

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#154

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#155

http://markeats.com

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#156

This was last year. It is smaller now but in complete disarray as I try to put together a performance system…

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#157

thanks for posting tehn! :relaxed:

#158

Moving out of my warm and fuzzy office/studio. Feeling a bit sad.

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#159

I feel you. Felt a similar sad way after moving out of my “studio in the trees” which had inspirational views of many perennials in many directions.

#160

inspired by the interview with Darwin Grosse that @tehn recommended i’m attempting to make a one knob Aleph scene that just goes from simple - > complex.
it’s not going very well so far :frowning:

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#162

What about the OTO Bim? Is it worth it?

#163

Well I’ve not had it long, and it’s actually the first hardware delay I’ve owned so I don’t know if I’m the best to review! Here’s a few thoughts so far though:

  • It’s built like a tank. A lovingly crafted, extra tough tank.
  • It’s pretty flexible, can make all sorts of sounds. I guess you’d expect that at the price.
  • The LFO rate and depth controls are fun to ‘play’
  • The faceplate is a bit over-minimal. Forgetting what ‘LED position 1’ means in a certain menu means I then have to turn to the manual. In fact it can be hard to even read what position an LED is in at a glance.
  • One of the main reasons I bought it is that it’s obviously designed for hands-on playing, not to live in a rack or under a toe, which I’m a big fan of.
1 Like