Sorry yesterday had a long day at work and then came back home and had no time to do anything, anyway, here’s the process:
Tracks 1 & 2: Wrote these two together and both followed very similar paths. Started off from bits of guitar and feedback sketches that I sampled in Sampler to create the main drones. Then I resampled those to make the higher bits and then had a guitar line which you can hear clean and processed live through the Morphagene and QPAS. I resampled that guitar line to create the pads in the second track.
Track 3: If my memory serves me, this one is practically all 0-Coast through a ton of reverb and echo, Lyra 8 and voice. The keys at the end are actually a sample of a gate closing which had a very pleasing timbre.
Track 4: Basically this but with some added field recordings, was the first track I recorded:
Track 5: Almost completely recorded live with the guitar running the Meris Enzo and a bunch of distortion and delay pedals. Then I kept resampling it to create the rest of the layers. I love to try to minimise the number of sound sources per track. Just seems to work well for me.
Track 6: Began as an attempt to make something along the lines of
The Caretaker’s
An Empty Bliss Beyond this World and
Bibio’s
Phantom Brickworks, then I decided to try to flip that and brighten the sound as the song progresses. Main instruments here are Native Instrument’s Una Corda, Granulator, 0-Coast and Live’s Wavetable.