I haven’t played around with the wavetable and granular synthesis yet, so I can’t comment on it. I did manage to find some 800+ waveforms just sitting on my computer that I loaded onto the SD card, so those might prove useful. Message me if you’d like them, happy to share. I also don’t have any pretty synth samples that I’ve developed, but I have the original sample library that apparently came with the Fairlight (woodwinds, etc.).

New firmware v1.1.0 is out:

"Dear Tracker users,

The v1.1.0 firmware is now officially published. Among many improvements and bugfixes it finally brings the long-anticipated high-quality stereo reverb working together with the delay. It also enables anti-aliasing for all the play modes which radically improves the sound."

Changelog:

Changes from 1.0.5 to 1.1.0

– High-quality Reverb is now implemented.

– Implemented sample anti-aliasing in all the play modes.

– Sequential/Immediate pattern change actions in the Performance mode unified with the Pattern mode.

– Fixed bug with notes skipping randomly.

– Adjusted precision of the limiter.

– Improved audio rendering and .it files export.

– Track number is now greyed out when muted.

– Increased resolution in the Granular play mode display.

– Added hold and preview for long samples in Sample Loader.

– General user interface and instrument stability improvements.

– Added metronome with a pre-roll function and a choice of time signatures.

– Press of a Play button in the Song mode will trigger the entire composition.

– General MIDI improvements incl. MIDI timecode and ext. clock optimisations.

– Use home in the Song mode for an immediate jump to the top of your composition.

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Ugh, hell yes. I’ve been waiting on this for weeks! I will snag this ASAP. Thanks for letting us know here!!!

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Now if only I could find one in stock anywhere

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From the manual, it appears that the reverb is a Mutable Instruments algorithm and is used under the MIT license. Clouds’ reverb then, I suppose? I won’t say no to that.

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New interpolation + reasonably nice reverb makes it all sound much much much better

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Truly. I literally just updated and reloaded an old track. The difference in interpolation is incredible. Before the new system, I found myself not moving more than an octave and a half up and half an octave down from my original sample tuning. I suddenly find that I can move much further with satisfying results!

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This thing makes me want to work on a tracker for norns.

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I remember @tehn saying it’s in the works actually.

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Are there any Renoise and Polyend trackers users here who would like to compare them ?

What is this .it format?

20 characters of Impulse Tracker format

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I will take a stab at this!

Basically with my experience, Renoise felt like a half way point between a traditional DAW and a tracker. For example, each track could have dedicated effects and such, meaning that if you had track 1 have no effects and track 2 have a reverb, you could get some interesting results triggering your instrument on those difference channels. As well, Renoise also had the ability change global or local effects params more tightly from the actual ticks.

The Tracker is much closer to something like Milky Tracker or Fast Tracker. It eliminates much of the guff from DAWs, instead going for raw sequencing. Tracks don’t have dedicated effects, global parameters such as the delay or reverb settings aren’t meant to be effected by inputs on the sequence.

Thus, you have something much more simple yet still incredibly powerful and with many little tracks up its sleeve!

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I got Renoise six months or so before the Polyend Tracker. Much like @kasselvania has mentioned, Renoise is much more like a DAW. It is VERY complex. I’m still wrapping my head around most of the things it can do, plus I’m relatively new to working with hexadecimal. You can change the lines per beat in a song in Renoise, giving you micro control of notes and effects while maintaining something like 100 bpm. You can resample the audio of a whole track and chop it up and move it around with the sequencer effects. You can also have more than eight tracks, group tracks, etc.

The tracker is much simpler. 8 tracks. No resampling of tracks. (Now) 2 send FX. No hex code, so coarser refinement of your sample, wavetable, or granular manipulation. The lines per beat is fixed, so if you want the micro control I end up just doubling up the bpm (it goes pretty high, well over 300). Overall it is a much more limited experience.

That said, I use it now way more than I use Renoise. It’s pretty intuitive and fun, and I find the ‘limitations’ quite liberating creatively. I’m never finding myself reviewing a manual to figure out some much deeper trick, which I was doing with Renoise every time I opened it up. When I have something I like, I export the song stems and put it into the DAW of my choosing for further processing. It’s been a little glitchy here and there, but Polyend has been very good about updating the firmware in a timely fashion. And its nice that its portable with a power brick, if I don’t feel like working on a laptop.

Overall, I’d say I’m very happy with the purchase. If your looking for a more complex sequencing powerhouse I would recommend Renoise. If your looking for a fun, simple, portable, way to make tracks, I would recommend the Tracker. Also, Renoise is much cheaper :call_me_hand:

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Having both the Tracker and Renoise, I totally agree with your assessment. Honestly; I ADORE the Tracker and basically don’t want to touch Renoise again. The Tracker does midi out in a way that really makes me happy. As a machine that controls my OP-1 and Eurorack, I just find it is an inspiration machine.

I get more excited about capable, stripped back machines that allow solid communications between devices, more so than programs that have “everything”

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Thanks everyone for the renoise/tracker comparison ! I’ll try to demo it and see if it’s for me or not ! Best

Looking forward to hearing what lines folks can do with the Tracker, especially synced up to modular systems. I’ve cancelled my preorder as circumstances have changed since I placed it, but it still really intrigues me (as well as nerseq portable and a potential norns tracker).

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I thought I’d share two little tracks made with the Tracker. The first one is made entirely within the machine itself (minus some post processing done in Logic). I used some Adventure Kid waveforms, a couple personal drum machine samples, and some samples grabbed from the internal FM radio.

The second track is using the Tracker solely to sequence a couple external mono/polysynths and a drum machine.

Quick and dirty, but this thing is really fun for getting ideas out into the world.


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+1 for IK+ samples!!

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Those with both Renoise and Tracker, how is the .mod file export function? One of the things that draws me to tracker is the thought of using it to sketch when out and finish in another tracker program back home (in a world where ‘out’ is a thing)