I’ve become a huge fan on bandpass filters and “special” EQs, all started with R*S Serge ResEQ and that whole idea of sculpting long, evolving drone-ish type of sounds to fit together this way is a staple technique for me currently. Sine waves, wavefolders, big saturation and isolating frequency bands has been very, very inspirational. I’m a fan of using ResEQ in stereo with Comb outputs, Jumble Henge could be really really cool tool to expand spatiality further.