erbe-verb is stunning. not just as a reverb, but over all amazing sound generating/processing unit.

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@rvx
you’re welcome !

@mike
i agree.
glad you like it.

beyond the subject, i liked the way he structured the talk.
and then he’s giving a precious method to go from idea to realization. r&d, prototyping, choices, costs, etc. (at some point i thought about monome prototyping mp and tt with max.)
there are very valuable infos from that video !

@glia
enjoy ! you will not be disappointed

@scanner_darkly @laborcamp
yes i would definitely use this module if i had a euro set-up (tt then -isms are making euro very appealing)
i can’t wait for the plug-in now !

Reviving this thread to ask if anyone knows where one could find this video, seems to have banished from the internet.

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yes i could’nt find it either… i’ve searched their site and vimeo.
i regret i didn’t dl it, as it’s a very good talk.

try asking Mr Erbe directly ?

or is there someone from the ucsb around that could help ?

um… I did actually download it and would be happy to post it back up providing tom or uscb were happy with that… although it does beg the question of why it was taken down.

on a related note, he is also currently putting up various patches from a course he is teaching, which is a killer resource for anyone interested in pd or sound design (or both!)

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the archive link on the seminar page is a 404. maybe the video is not really taken down. it’s perhaps just a technical problem ?

I sent him a message asking if it’s unavailability was deliberate and if sharing the video was ok, will report back if I get an answer.

@pxxlhxslxn Very nice patches there, thanks!

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Tom replied that I should check with UCSB and just got a reply from them.

@beo figured it out, the old MAT seminar web site had to be taken down because of problems with the server and will be back up once they move to new hardware in a couple of months, so it’s only a matter of time.

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Would also love to watch this! Looked around but sadly couldn’t find it anywhere else.

I wrote the IT manager for UCSB MAT to check. I was at the original talk, but definitely would like to check it out again!

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… and it’s back up! had to be converted from Flash to mp4.

http://w2.mat.ucsb.edu/videoArchive/

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That’s awesome, had totally forgotten about this, thanks!

This is great, thanks!!

@charlieroberts After seeing @qype 's comment from May I emailed the same day you did. I’m glad they followed up this time and reposted! I’ve been looking forward to watching this, especially after listening to the Art + Music + Technology podcast interview w/ Tom recently as well.

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yay - does anyone know if the actual patches are anywhere ?

answer: I think this is it: http://tre.ucsd.edu/wordpress/wp-content/uploads/2016/05/pdreverb.zip

oh and slides for the visually oriented ! http://tre.ucsd.edu/wordpress/wp-content/uploads/2018/10/reverbtopo.pdf

all bases covered here

on nice he’s got max too: https://drive.google.com/file/d/0Bx0dmnQfzlhlclYzUTlzNGNYVlE/view?usp=sharing

this tom erbe website business is good stuff

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Wow - amazing. Thanks so much for posting. I’ve been wanting to get my head round reverb in Max for a while now and this could be the base.

yea feel you, kinda always been intimidated by it. been wanting to take apart the convolution reverb from m4l essentials too.

Not sure if it’s been posted here already, but the white paper for Erbeverb is great!

https://llllllll.co/uploads/default/original/3X/5/c/5c3ca90a0145ddb286e07ca35d3837378f53fdf4.pdf

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3.4 Random time modulation

The Erbe-Verb also contains a random modulation scheme which is inspired by Gordon Mumma’s piece [7] “Stressed Space Palindromes.” In this piece, the room size and shape is changing randomly and quickly from sound to sound. My scheme uses four layer granular/raised cosine envelopes on each delay line, with each grain selecting a random delay time, constrained by the modulation depth. The modulation speed is the grain creation speed. This type of modulation is effective at breaking up resonances and pulsing, without adding any chorusing or doppler shift. At extreme settings (when the modulation depth is high) it imparts it’s own characteristic sound. At a slow modulation rate one can easIily hear the space change size, and at a high modulation rate it quickly adds noise sidebands to all harmonics.

Really love this approach of taking inspiration from works, rather than other gear / established techniques.

I’m very interested in this borderline area where sound imparts reverb-like characteristics, but is not just a traditional reverb sound.

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This really is one of my favourite parts of the Erbe-Verbe’s character. Just went through the video this afternoon and found it very interesting to know what was under the hood.

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