First off–have been enjoying all your tracks–holds together better than I would have expected for a comp.
Second, I’m an artist and the technical director for a (now streaming) sound art event called Sound Scene (@soundscenefest) sponsored by the DC Listening Lounge and the Hirshhorn Museum next weekend and would love to include the comp as interstitial music between programming blocks. I’ll only use your music if you explicitly grant permission in this thread or by DM. I was originally planning on only using my own tracks, but I the comp is in very much the same spirit and theme as the event. I don’t know if I can promote the comp on any of the graphics for the show–but I’ll ask. It’s a little tricky because there are sponsors and the museum involved, so it may need to fly under the radar.
For my track (resonant space - monocacy), I created melodic and bass sequences in the Five12 Vector sequencer–which went out to a Frap Tools Falistri function generator as my oscs, The melodic line went to a Jove filter, and then both went into a Magneto delay. I also had some field recordings that also went into the Magneto–a rainstorm outside my window, and a recording of me walking along the C&O canal. A recording of some Tingsha bells went into the Tapographic delay, and then into Valhalla room in the Z-DSP. The recordings were all looping in the ER-301. Mixdown on the WMD Performance mixer, and recorded on the MixPre 6. The track was then put through a tape wash using a Marantz PMD-430 deck. The PMD-430 hadn’t been used in awhile, so it added a fair bit of warble–haha.