yes, i use the black L-shape strips and the copper bar to hold the three boats togehter.
R**S boats have pre-drilled and threaded holes on the side.

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very cool. thanks :metal:

i have a la bestia on order :heart_eyes: just wondering if anyone has strong feelings about the normal shallow boat vs the “super shallow boat”. for the time being i anticipate using it tabletop.

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Worth checking but if I recall correctly the stereo mixer in La Bestia is too deep for the super shallow boat.

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hmm weird. patch point specifically suggested the super shallow one for la bestia

Ah I’m sure they’re more knowledgeable than I am on this!

I have La Bestia II in super shallow boat and it’s fine…

What i was told is that some stuff is indeed too deep for the super shallow boat and has to be built in a different way in order to fit.

I’ve been thinking about a modular case idea, and don’t know right now who’s building stuff like this.

Background: though my system has been largely ‘fixed’, I think sometimes that this ‘fixedness’ is a lie that we tell ourselves, that keeps us overly worried about getting the perfect final configuration, buying and selling the moment we feel we need or don’t need something.

Sometimes a big system is appropriate, sometimes a small system. Small is different than just using a portion of a big system because the constraints make other possibilities more apparent, and this matters when these possibilities arise spontaneously. Large case with empty/missing panels is still a big system for me. It all depends on the composition, the mood, the hour, the season etc. [For instance it’s very hot, no A/C, maybe I’d just rather work with something small as I have very little energy.] so why keep lying to myself about this, why not just embrace the impermanence and flux?

So I’d like to take some inspiration from traditional Japanese modular design (the reconfigurability of spaces via tatami, screens, etc.) that will let my system (at least at the panel level) be immediately in flux in this way with a minimum of effort.

For me this would entail wooden stackable boats, but heavy/sturdy enough to allow up to 12 panels (two columns of six), or more if possible. Each ‘boat’ would be a one-panel case, essentially, with feet and holes at the top where you would place the case above it, so they lock together and don’t fall over.

On the back would be a large hole for the power cables, and some recess or small enclosure to fit a power distribution board if needed, which is fine to be exposed to the back (this way one can support up to two 6-panel supplies, three 4-panel supplies, or whatever one has. due to modularity each panel needs this recess, since you have to be able to stick it anywhere. but one would only use it for one or two of the panels.)

This way, I can quickly set up and tear down an ‘X-panel instrument’ in under a minute, I would never need to unscrew panels/boats, because each would be permanently affixed to the stackable wooden boat. Just re-stack and re-wire the back.

So I wonder who makes this, who might be open for commission etc. I mean, I’m sort of OK with what I have but there’s something I like about not having to lie to myself about the ‘permanent impermanence’ of equipment needs, especially since I’m starting to use a lot of these modular construction principles compositionally and really having some breakthroughs because of it. I want to acknowledge in the system itself the flow of life, not think of the system as an escape or a bulwark against it. This conceptual aspect is more important even than the convenience.

Sorry no drawings! but i hope the main concept is clear. in 5U at a much larger scale, Marienberg has these stackable 22-space cabinets with the legs and holes: https://m.thomannmusic.com/marienberg_devices_cabinet_single_row_24.htm?o=7&search=1592624344, I’m basically trying to ‘borrow’ this concept but at a smaller scale (at the resolution of a single panel) for Serge.

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i have no idea what i’m doing lol

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Reminds me of the way I’ve seen some use the 4ms pods on a pedalboard in euro. Macro level modularity.

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Maybe of interest to folk here, I have a new CD coming out next week. It’s a longform piece I recorded on the Serge at EMS in Stockholm last year. Bandcamp is here and YouTube preview below:

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Thanks for sharing, the preview is beautiful, looking forward to the rest for sure.

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Here’s some short clips of new Serge stuff I’ve been working on. Most of this is heavily improvised, live 1 takes.

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woo hoo! nice to see you back at the serge :slight_smile:

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Hopefully finishing my Dark Serge panel #1 this week

Inspired by rare reverse print panels.

Using reproduction PCBs same as my OG panels. Added panel boards per module to hold panel parts and add pot voltage refs and proper power entry.

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Stunning!
Would you mind showing a shot of the back of the panel? I’m still planning the housing/case situation for my rig and your approach sounds interesting.
I’m also curious – I’ve read a bit about the importance of panel grounding, but I haven’t read anything about best practices for power distribution. Any tips?
And did you custom-order your panel boards or just use perfboard?
Thanks!

didn’t take any photos of the back but here’s the idea:

This is the SSG, NOISE and DTG section all in one piece.

LM4040 refs for pot voltage sources.
All panel wiring / components in SMD and connected on board.
Points for wires to OG boards lettered or numbered as appropriate, (sometimes correctly.)
LED drivers incorporated into boards where necessary.
Power entry tucked in between rows with a right angle plug and some fuses / bulk ceramic capacitance.

You can find the panel wiring info different spots or on forums. I need to redo some of mine hah… it is a rite of passage in serge world to wire pots backwards. I still do it almost everytime :upside_down_face:

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I ground my panels through the case with a wire directly from power entry to a ground tab. Otherwise most STS panels use one of the ground wires on the power cable to go directly to a tooth ring on the panel. Same difference in my opinion.

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