It’s the Anasounds Element spring reverb. It’s connected to a spring tank that I mounted underneath the pedalboard.

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Here’s what I have to say about that: Im like 3 years into the eurorack journey after about 30 years with guitar. I was extremely bored with guitar, had a kid and got interested in synthesis all at the same time, so it worked out nicely. Its been a lot of fun, exploring new sounds and techniques, Ive created more music than I have in three years than I have in my life probably. However, I still dont feel that innate connection to the synth, as an extension of your body, like you do playing a guitar or that kind of instrument. I can make music on the synth all day where its just me mixing differnt tracks of sequences or sounds, but I really am on a journey trying to do something more expressive with the synth, something more like Morton Subotnik. I think its time I reembrace the guitar because it just feels better. So pedals brings it back in that arena for me. But idk… I just saw an Instruo Arbhar pop up on Reverb and its really tempting. lol.

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Arbhar has been the one wishlist item for me too. That said, I’ve had a modular setup since 2006 (Doepfer at first) and never connected with it the way I do with guitar and pedals. The gear lust and idea of something new keeps me looking. That and the great work and excitement of some friends who have found their home in modular. The best modular experience I had was a duo with Steve Roden in France. We both had 3U cases and each had moments where we couldn’t work out how to get sound, but were enjoying the moments of surprise where it would all work

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That’s basically why I came back to guitar. I sometimes get moments of that expressiveness on synths and modular, but it always feels more passive. Guitar feels like a 1:1 connection of the sound to my mind and body. The only synth I’ve played that has had the same effect for me has been the Haken Continuum.

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I’m really interested in what Sarah Belle Reid is doing with her setup. I watched part of this and I was really inspired to keep looking into simple devices like envelope followers and gates to trigger various things in the system with guitar.

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This is my current “studio” board. But it’s really three boards, which can output two separate stereo pairs and and fifth mono signal. It’s a lot of fun, and can generate a whole mess of lovely noises in a hurry.

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Have you tried pressure/touch controls?

Even something simple like Mutable EARS (with its touchplate) gives you an instant physical connection, and expression, that you don’t normally get just through normal patching practices (twiddling knobs, pushing buttons etc.).

I have one of those Koma Kommander(?) sensor units, and that is also really nice for adding expression to a modular setup.

Yeah, I have… lol… I have a Pressure Points, Ears, and now the 0-Ctrl. It definitely helps get me closer to where I’d like to be. Maybe I’m not being creative enough with the patching, but I’m really exploring these opportunities best I can. I guess it does take people a long time to learn any ‘normal’ instrument to proficiency. I always forget that with modular, its easy to assume that the learning curve just happens in the knowledge of the module and the patching, but learning the interaction is something that could be lifelong. I’m blaming the tool here I know, but its so easy with eurorack to just ditch something when you are frustrated, and buy something new. But getting back to guitar… my current situation is this: I basically want the control of the guitar and the timbre of a synth. I’m pretty proficient at guitar, I just got to a point where the timbres it makes isn’t something that excites me. I mean, I love Hendrix, but how many times has that been replicated in the history of guitar?

I guess the number of options a modular synth affords is both a blessing and a curse. The instant connection and expression between player and instrument is never going to be there. At least with a physical modular synth there is still some form of physical connection (I find software modular synths are always totally uninspiring to use).

I know exactly what you mean about breaking away from traditional guitar timbres. I’ve got an EHX Superego DLX, and out of all the ‘synth’ type pedals I’ve tried, it’s the best I’ve found for moving away from traditional guitar sounds, while still retaining some of the instruments expressiveness.

Another option I’ve never tried is a bow, but I think that runs with the risk of just sounding like a Jonsi from Sigur Ros rip off :joy:

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Ha yes, the bow. I’ve have a bow too, and the older EHX Superego as well.
So, I was just briefly googling guitar controlling modular synth and I came across the Fishman Triple Play. Its a midi controller that mounts to your guitar but it has a class compliant usb midi dongle that comes with it. The tracking and control seem amazing. I wonder how that would work with something like that Expert Sleepers FH-2?
I play with a friend that uses Sensory Percussion for his drums, to control things in Ableton and Modular, and I feel like I’d like something like that for guitar. Where you can map different elements of your instrument to control different cv outputs for modular.

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First step along a path of a new guitar setup for me. I guess the first was a new interface, which tbh with UAD is nice if at some stage I choose to add some DSP to the chain.

But for a long time I used Guitar Rig. And while I did find it pretty successful, using various controllers and also Rig Kontrol, I eventually became tired of it. Or at least, have now had enough of a break from a guitar-based approach that coming back to it with a new direction is giving me a renewed perspective on guitar, which in the end I suppose was ultimately a processing-based workflow.

And I had begun burrowing down the modular path. But I quickly realised there was too much involved before anything could be done, money spent on the case, mults, attenuverters and all that sort of jazz, module glue that helps the whole thing sing.

I realised with pedals, I can get started. One pedal is enough, and I can make music with it. That to me is very gratifying, and, with another pedal or two would see me occupied for some time.

I think I will pick up a timeline next, and an iridium for cab/amp duties. I really like that the iridium has a headphone output, so with a couple things in the chain it can be a nice little portable rig. I’m interested in some chase bliss stuff, and actually ordered pedal crush this week to really get a good overview of things.

It’s a fascinating world we live in. Somehow I equate guitar pedals, modular and craft beer as all sort of living in this boutique cottage industry realm that’s full of colour and choice and personality.

But I very much like being portable and light going, so I doubt I’ll ever have much more than half a dozen pedals or so. I do like the idea of keeping things stereo so that may decide certain things a bit.

And would love a comprehensive looper in the picture at some point, really would love to see something more modern and substantial emerge in that sphere that sort of pulls multiple duties together as perhaps an interface, looper, mtr or even granular sampler all in one…ok that’s a dream pedal :slight_smile:

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Picked up my guitar for the first time in at least two years the other day. It’s a Mexican Strat, a Hendrix special edition of some kind, hence the reverse headstock. I bought it about 12 years ago and swapped the stock pickups to some Fender Noiselesses. I love it; it’s all the guitar I’ll ever need.

Now thinking about some sort of pre-amp to get a nice tone before Max/MSP processing, and a soft-clipping overdrive. Anyone using a Strymon Iridium with a Strat?

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Currently I use a Boss FDR-1 and a couple of overdrive/distortion pedals as my pre MaxMSP chain. Would be interested to try some of the nicer options when budget permits :slight_smile:

EDIT: I need to say that what I have now works well :slight_smile: I like to try shiny stuff but I don’t feel like I am missing something!

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nice, i’ll have a look :slight_smile: got my eye on this as well: https://shop.fender.com/en-GB/effects-pedals/boost-gain/mtg-tube-distortion-pedal/0234539000.html

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Sounds nice :slight_smile:
My complete chain:
Volume Pedal |Tuner
-> Mooer Triangle Buff
-> ProCo Rat
-> B* Vintage Tube Monster
-> Boss FDR-1
-> Audio interface

Most pedals were gifts or second hands, cheap but effective :smiley:

I tried doing bigger pedalboards but it’s not worth the weight/cost for me as maxMSP and the vsts I have cover everything I really need :slight_smile:

Positive Grid:
Bias Amp 2
Bias FX 2
Bias Pedal

RME BABYFACE Pro

PreSonus Eris E8

PRS McCarty 594

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This book of mandocello chords might be useful:
https://www.amazon.com/gp/product/1630290467/ref=dbs_a_def_rwt_bibl_vppi_i8

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Thank you! I’ll take a look. I’ve been using musescore.org to manually document the chords in standard notation and finger diagrams until i get my memory going.

Favorite guitar, amp, and pedals. Other than the weird stuff.

A little looping setup for Ableton.

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