#264

Not yet,
Only a couple of snippets made with
Blooper > Mood > Iridium

1 Like
#265

Apologies for a kink in the thread but whereā€™s best to sell a guitar other than the obvious, Iā€™m based in UK?

#266

Apologies for a kink in the thread but whereā€™s best to sell a guitar other than the obvious, Iā€™m based in UK?

thefretboard[dot]co[dot]uk is a maybe not so obvious place. I have had nothing but good deals there.

2 Likes
#267

+1. Thatā€™s where I sell most guitar stuff (pretty much all I use that forum for really :grimacing:)

You can get some low ball offers, but most of them over there are fair and easy to deal with (not had a bad experience yet buying or selling).

#268

Likewise done hundreds of transactions on there and never had issues

1 Like
#269

Yep that site is great. Bought and sold lots of stuff on there (including from @dangriffiths :grin:)

1 Like
#270

image
image4032Ɨ3024 3.58 MB

Couple changes and some great finds- I decided that if Iā€™m gonna be playing guitar in my band, I should really be doing stuff with it to justify the instrument in pop band. If the pedals donā€™t give it away, my influences for this layout are Corgan, Emma Ruth Rundle, Chelsea Wolfe, Ed Oā€™Brien and Jenn Wasner. M9 comes first, and is a noise gate, compressor, and looper.

Some noodling in C# Standard

10 Likes
#271

how do u like the dml? been considering it for a few weeks as my first guitar pedal, does it seem versatile/good on its own or with just a fuzz? seems like weā€™ve got similar musical interestsā€¦ :slight_smile:

#272

Itā€™s extremely versatile! rn i have it set as a chorus and then I can turn uo feedback for a weird digital flanger. Mostly Iā€™m keeping it as a weirdo mod pedal but ofc itā€™s a very nice modulated delay~

If youā€™re getting a fuzz to pair w/ it, I think an op amp or russian muff with this in front would be a great start.

1 Like
#273

How do you like the Model feT?

#274

Itā€™s brilliant- The Quilter preamps are good but they donā€™t get within a mile of how the feT sounds, clean or driven.

If you use one as a preamp i recommend putting delays and reverbs after tho, they get really overdriven even when gainā€™s only halfway up.

1 Like
#275

Hi guitarplayers!

I feel the GAS setting in for a Submarine Pro pick-up and was interested to see if anyone on lines has used one. For those unfamiliar with it itā€™s basically an extra two-channel pickup that allows you to send each string to either A or B which allows for different processing of for example bass and treble strings. Combined with the signal from your original pick-ups it means you could do quite a lot at the same time (three channels). A ā€œJohn Martyn 2.0ā€-setup.

My mind is sort of overheating with ideas of what do with the bass, while fingerpicking regularly, and swelling in pads underneath. :upside_down_face:

No affiliation, but it feels like Iā€™ve had ads from this company popping up in social media for a year or so. There are a few different films on their youtube channel.

Just curious if anyone has tried. (ā€¦ or if it really works. Might not be problem-free etc).

Cheers/C

(Update: Just emailed them to ask how effective their string separation is, or if you get leakage etc.

Update 2: I got a quick reassuring reply, a 10 percent discount and itā€™s on its way, so hopefully I can report about it someday soon.)

3 Likes
#276

picked up both of these today. super jazzed to explore them.

_DSF0012-Instagram Big-2
_DSF0012-Instagram Big-22160Ɨ2160 3.73 MB

ā€œfancyā€ pic because instagram

7 Likes
#277

IMG_8326 2
IMG_8326 23024Ɨ4032 4.55 MB

have done some short term swaps for some mics and a cab (cab is from this local maker, dusky). mics are the AT4047 (a loose interpretation on a FET 47) and a Peluso R14 (modern ribbon, has a bit more bass response than the standard ones).

Iā€™m using it with my AC30, and Iā€™ve been getting some really cool stuff out of my guitars (strat HSS and strat retrofitted with p-90s in it) as well my SG short-scale bass.

If youā€™ve never tried out a 15" speaker on guitar, I definitely recommend trying it if you get a chance! I really love the way it sounds for like grungy stuff, as well as for droning on low a and e. Spring reverb also sounds super cool through it.

Iā€™m pretty sure Iā€™m going to get the maker to make me one of these. Apparently the speaker only comes in 8 ohms, which is fine for the AC30 in external cab mode, but the extension cab mode (the one that keeps the combo 2x12 speakers on) is only good for a 16ohm load. I found this weber z-matcher thing last night. Does anyone have experience with one of those? Consider one so I can use it with the extension mode.

5 Likes
#278

2x15 cab was a big part of Fogertyā€™s guitar sound in CCR :speaker:

4 Likes
#279

Has anyone worked thorough Leavitts ā€˜A Modern Method for Guitarā€™ and has it been useful to you?

Iā€™ve made a start, itā€™s really the first time Iā€™ve approached music in a formal/technique wayā€¦itā€™s a whole new world! Being able to sight read now feels very ā€˜properā€™

3 Likes
#280

used it for stepping up my sightreading game. it is lots of work but very useful

#281

I used to teach using Leavittā€™s books. Never had a student get through the second book. Personally, those books upped my game when I was hustling gigs all the time. I recommend them to every guitarist looking to work on sight reading for sure.

#282

Well Iā€™m on page 20 of book 1, it feels like a long road ahead I canā€™t imagine what the end of book 2 will be like. I got to it from being interested in jazz it was recommended as a solid base to work from.

#283

I love the Method!

It took me 1.5 years to ā€œget throughā€ Volume 1. Iā€™m now on page 25 of Volume 2. In truth you donā€™t really get through these books - youā€™ll find yourself going back to look at earlier material as newer material gives you more understanding. I still go back to Volume 1.

I definitely recommend watching the accompanying video series for the first volume - https://www.youtube.com/watch?v=3IoFz6TGy5c&list=PLx1YuLLmpyHvTwAGXZm52kdOClq-TRb6-. It definitely clears up many potential areas of confusion. Starting with the rest stroke is key - I was halfway through Vol. 1 before I realized the rest stroke should be used always even with 8th and 16th notes.

After Vol. 1 - Leavittā€™s Melodic Rhythms and Classical Studies books are great for checking weak points and consolidating the things youā€™ve learned.

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